MOTORDROME OUT NOW ∞ https://mo.lnk.to/Motordrome 

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New album out now: http://troyesivan.lnk.to/somethingtogiveeachother

22 billion streams is a milestone only a few artists can claim. Couple that with fashion collaborations, runway appearances, leading roles in Hollywood features, viral Architectural  Digest piece + a combined social audience of over 20 million people - this is Troye Sivan.
 
Hailed as “the perfect pop star” by TIME, Troye’s numerous awards include a Billboard Music Awards trophy, three MTV Europe Music awards and two ARIA Awards and GLAAD Media wins. Recently Troye featured in campaigns for Cartier, YSL Beauty, Calvin Klein and Beyonce’s Ivy Park. 2023 has seen Troye appearing in The Weeknd & Sam Levinson’s ‘The Idol’ for HBO, alongside Lily-Rose Depp, Blackpink’s Jennie and Abel himself.
 
Raised in Perth, Australia, Sivan built a successful career as a YouTube creator and actor, then setting the world on fire with his debut EP. With his debut album ‘Blue Neighbourhood’, sophomore album ‘Bloom’ and the 2020 mini-album ‘In A Dream’ as well as a slew of singles and collaborations in between, Troye has firmly established himself as a global icon in the worlds of pop music, fashion and LGBTQI+ representation

YUNGJULIAN project is over
If you like my music > here's my new project: @choppazmusic

https://soundcloud.com/odditiespacks

Management: archie@oddmb.com
AU/NZ Bookings: Paul@proxyagency.co
North American Bookings: hamilton@wrightbookings.com
UK/Europe Bookings: paul@primarytalent.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

HARLO is following