Definitely on a roll. I really mean that. Feels like the brain is getting scooped out, but nicely so...and definitely better than a frontal lobotomy...keep it up!

QM006 Daniella Ljungsberg - We Are Not Going To Drive Anywhere

Ljungsberg’s long awaited long player which she modestly calls a collage of field recordings is in fact of subtile symphonic quality featuring refined spatial arrangements and dynamics. A collection of passionate transformations of sound and noise keeps reinventing itself: Exciting, crisp, organic and fluid forms which occasionally make you remember french „Musique Concrete“ pioneers and such. Sit back and listen.

This is an online release & pre-release on cassette, vinyl release T.B.A.

Recorded and mixed by Daniella Ljungsberg, Jerusalem
Mastered by Will Killingsworth @ Dead Air Studios, Massachusetts

EENE

LOU Tictoc DR Altmix

Porosity

Kickin' it old school with the samplers and junk.

1994

Sensen - Farther

New album released.

「森と海」
Bandcamp page
https://satoshisugiyama.bandcamp.com/album/--3

----- caution ------
 I'm in the process of making the CD. I will send it to you by surface mail  as soon as it’s ready.


以下、アルバムについて。


「森と海がまじわるところ」

鬱蒼とした森の記憶を辿るように、レコーダーを手にし土と枯れ葉の小道を登る。
まず、その小高い森の中心と思われる場所で一度目の録音。
そして同じ場所でレコーダーのマイクを空に向け二度目の録音。
遠くに僅かに波音が聴こえた。

その音に誘われて、数日後、友人たちと森を抜け海に降り立つ。
岩場の潮溜りにハイドロフォンを落とす。
マイクを通して海中の音を聴くのはそれが初めてで、海の中から外の世界を見ているような気持ちになった。
小さな生き物たちの気配、波音と森のざわめきと
すべてがまじわるところに僕はいた。


※この録音を聴き返すうちに、10年前に三木葉苗が書いた「美の基準についての覚え書き」を思い出し読み返す。合わせて読んでももらえるといいなと思いこれを付属することにしました。

録音と編集　杉山聡
絵　三木咲良
言葉　三木葉苗

森と海 -Excerpts-

Accompanying Computer Friends

Metroselah

Extract from the longform piece of MOLJEBKA PVLSE's new album "Topography of Frequency and Time" , out on Drone Records 02.2024 in the SYM series (SYM_06)

The term "Topography" means the study of the forms and features of land surfaces., the physical appearance of natural attributes in a certain area... MATHIAS JOSEFSON aka MOLJEBKA PVLSE has adopted this notion to characterize this long form multiple-layer drone ambient expanse, a continuous flow of sound that can lead you into different aural regions...like the recent "Sacrificed Phloem (Zannec Line)" by LOPEZ/MENCHE (SYM:04) this one-tracker (exactly 70 minutes long) guides through you various stages.. after a massive beginning there's a very mellow / harmonic middle part, the aural topography of sound changes again towards the ending...a continuous "transfer" into non-ordinary states of mood & consciousness...
Mathias Josefson shares his thoughts on the album: " 'Topography of Frequency and Time' is an expedition through expansive sonic landscapes that stretch beyond our daily awareness. It serves as an open invitation to transcend the visual confines of physical space, encouraging a deep dive into the unexplored realms of sound and time. This album seeks to chart the uncharted territories of our auditory experience, intricately mapping the intersections of three-dimensional space within the frequency and time domains."
MOLJEKBA PVLSE, based in Stockholm and Hamburg, has accompanied Drone Records for a long time, with releases on 7" and 10" vinyl. Active since 1999, the project has evolved from more minimal droning soundscapes on to complex multi-layered atmospheric conglomerations of acoustic and electronic sounds, field recordings and found sounds, feat. various guest musicians.

retail order:  https://www.dronerecords.de/album.view.html?album=22014

MoljebkaPvlse - TopographyOfFrequencyAndTime (excerpt)

Released by Hexagonal Music 2023

Spotify: https://open.spotify.com/album/0tLfdpgRWZBZM1wSeLV4sN?si=Qwr42ZV3SUWrhft2jyXJag
Beatport: https://www.beatport.com/release/evolution-revolution/4147354

John Keding, Bjorn Fogelberg - Evolution Revolution (Original Mix)

This release is results from live studio experiments in no-input feedback generated between MXR Phase 90 pedal and Tapco MIX 260 FX. 

Created by Lucia H Chung. Mastered by Martin J Thompson.

PHASE

Hello, my name is pippy. 

welcome to my diary.  11/9/2023

three albums coming soon... Cycles // Animals // rooms


ABOUT pippy (that's me, pippy):

enoff have asked who and what is pippy. pippy is pippy, i.e., a silly name with no meaning or basis. the idea of pippy was to create a baseless character for my music to live in, unbound by any sense of seriousness, coolness, likeability. the name and idea of pippy is to provide a 'wtf' response from whomever stumbles upon this page. i do not like creative boundaries, expectations, and preconceived notions. i think a lot of musicians get wrapped up in identity (crisis) and advertise their music with intent of being listened to, and become influenced by what is known to be likeable. i purposefully do not advertise, share, or promote my sounds to retain an honesty and rawness in what i produce. i write from whatever is on my mind, in my mind, at the moment. nearly all tracks are sloppily written in 1-3 hour bursts, and then thats it. 99% of my tracks are completely written from scratch, lots of midi work and many modulations to create a dynamic sound. i try to keep things unpredictable, to a fault.. i become bored very easily, and i enjoy this process i have nailed down. i leave it to the community and the listener to decide if my tracks are worth sharing. as you can see from the numbers, my page is quite lonely. i like it this way. but, if you enjoy what you hear, i leave my promotion in your hands. pippy enjoys creating for the sake of creating, out in the world of pippyland. i encapsulate current emotions in each track, so this is the closest thing i have to a diary. i can recall the mood, state, time, period of each piece, and it is an amazing way for me to recall my past. there is no social media maintained for pippy, no other source for these tracks. just shitty soundcloud, which is quite awful. i should invest more time in expanding to better platforms but i am a creature of habit. if you've read this far, then yer one of the few that is intrigued by the sounds and so i'll continue for u.

original concept for pippy:
pippy was orphaned due to mother passing during birth. the father was totally distraught by pippy's green colored skin, and what appeared to be red hair., as such, abandoned, pippy was sent to work in the ole' mill in the glorious 'Tube City'. pippy enjoyed his work, but one day while having tea in his shack, he heard a shriek. pippy investigated his neighbors box and was shocked to see a dead body. Tube City police arrived shortly after and attempted to arrest pippy. alas, he gave them the ole' pip-slip and made a shabby escape at the local marina. pippy sailed far away to an island where he met garp, a red faced dim-witted creature. pippy enjoyed the peaceful nature of his new life on the island, but eventually the wails came. pippy trapped on the island, was forced to turn himself in! the court hearing occurred immediately and all at once: pippy was to be sent to Penal Planet for execution. the ship took months to arrive at the block. as pippy exited and walked to the gallows, chains sweeping in the distance, he remembered th


Spotify:
https://open.spotify.com/album/3v2S5ZASfH8BVTw0HEsN5i
Apple:
https://music.apple.com/us/album/world-of-machines/1526087649?uo=4&app=music&at=1001lry3&ct=dashboard
Google Music:
https://play.google.com/store/music/album/Pippy_World_of_Machines?id=B4vjsvm4ypou2msccmb6wxkcasq

Accompanying Computer Friends

Pippy

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