part of [ABS002] Termoiónico V.A. by Absu Lab (Chile)
https://absu-lab.bandcamp.com/album/abs002-termoi-nico

Disociacion - Complexity

https://www.discogs.com/release/3407862-Steinvord-Steinvord

Steinvord - Wen

Machinegun

133 Rattle Bone Grumf Frend Ytntha Dot Dot Dot Mlch8 Usrpr Something

Full doomload here : http://gestrococlub.org/Sampler41.htm

Vaatican Sampler N°41

SPECULATIVE COWBOYS - "Ocean mood inside the sky" (Out dec, 2017)

Global Goon - 13.01.23 / PhOSFOXia002

dreams and nightmares

Character agent has spec ops experience that serve his or her country that was left behind. The character comes back near death experience with to serve and protect people. 

Queen's Ascension



«A collection of pieces about the discovery of sounds and sonic universes hidden in objects, places and within yourself.» - Feldermelder & Julian Sartorius

Commissioned by the legendary concert venue Bad Bonn in Düdingen, Switzerland, and the KRAN project, ‘Bonn Route’ is a collaborative album by electronic musician Feldermelder and percussionist Julian Sartorius. A location- based sound walk that can be experienced both on-site in the village of Düdingen, and as a full-length album. The eleven tracks are a sonic homage to, and an artistic interpretation of, a small village in Switzerland’s heartland.

Building on his practice of site-specific performances and percussive sound walks, Julian Sartorius captured sounds and patterns at eleven locations: the train station and cemetery, on the banks of a stream, on a bicycle path, and in an intimate cavern above the village’s lake, amongst other locales. Sartorius documented the soundscape of the village in field recordings, recorded samples of objects and captured percussive patterns by playing on the architecture and vegetation found on-site.
Feldermelder then processed these recordings into eleven compositions, preserving the locations’ acoustic identities, but expanding on Sartorius’ material. Besides the bassline on ‘Veloweg’, Feldermelder used only sound reactive synthesis and resonators to create additional sounds, layers and tracks, thus multiplying the spectrum and rhythms of the original material. ‘Bonn Route’ is a musical journey rooted in the emittance of sound, and our resonation with the world around us.

Feldermelder is a Swiss musician, sound designer, producer and installation artist. He is co-founder of -OUS and part of the audiovisual collective Encor.studio. He has previously released several releases on -OUS, both solo and in collaboration with Sara Oswald.

Drummer, artist and percussionist Julian Sartorius’ precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. He has previously released his album «Locked Grooves» on -OUS.
credits
released June 17, 2022

Credits
Field recordings, samples & patterns: Julian Sartorius
Arrangement, resonators & production: Manuel Oberholzer
Mix, master and design: vfbm Fribourg


Bonn Route  - Bahnhof

lurk

This will be on the ID#2 Project, once I've finished it (likley this year or the beginning of next)

I should be releasing something with https://soundcloud.com/mieke at some point soon.

(Mixed by https://soundcloud.com/dr-doctor)

ID#2 [NOTYETFINISHED]

Driving To Peebles

Hello, my name is pippy. 

welcome to my diary.

im back.. 11-11-2025

-----
ABOUT pippy (that's me, pippy):

enoff have asked who and what is pippy. pippy is pippy, i.e., a silly name with no meaning or basis. the idea of pippy was to create a baseless character for my music to live in, unbound by any sense of seriousness, coolness, likeability. the name and idea of pippy is to provide a 'wtf' response from whomever stumbles upon this page. i do not like creative boundaries, expectations, and preconceived notions. i think a lot of musicians get wrapped up in identity (crisis) and advertise their music with intent of being listened to, and become influenced by what is known to be likeable. i purposefully do not advertise, share, or promote my sounds to retain an honesty and rawness in what i produce. i write from whatever is on my mind, in my mind, at the moment. nearly all tracks are sloppily written in 1-3 hour bursts, and then thats it. 99% of my tracks are completely written from scratch, lots of midi work and many modulations to create a dynamic sound. i try to keep things unpredictable, to a fault.. i become bored very easily, and i enjoy this process i have nailed down. i leave it to the community and the listener to decide if my tracks are worth sharing. as you can see from the numbers, my page is quite lonely. i like it this way. but, if you enjoy what you hear, i leave my promotion in your hands. pippy enjoys creating for the sake of creating, out in the world of pippyland. i encapsulate current emotions in each track, so this is the closest thing i have to a diary. i can recall the mood, state, time, period of each piece, and it is an amazing way for me to recall my past. there is no social media maintained for pippy, no other source for these tracks. just shitty soundcloud, which is quite awful. i should invest more time in expanding to better platforms but i am a creature of habit. if you've read this far, then yer one of the few that is intrigued by the sounds and so i'll continue for u.

original concept for pippy:
pippy was orphaned due to mother passing during birth. the father was totally distraught by pippy's green colored skin, and what appeared to be red hair., as such, abandoned, pippy was sent to work in the ole' mill in the glorious 'Tube City'. pippy enjoyed his work, but one day while having tea in his shack, he heard a shriek. pippy investigated his neighbors box and was shocked to see a dead body. Tube City police arrived shortly after and attempted to arrest pippy. alas, he gave them the ole' pip-slip and made a shabby escape at the local marina. pippy sailed far away to an island where he met garp, a red faced dim-witted creature. pippy enjoyed the peaceful nature of his new life on the island, but eventually the wails came. pippy trapped on the island, was forced to turn himself in! the court hearing occurred immediately and all at once: pippy was to be sent to Penal Planet for execution. the ship took months to arrive at the block. as pippy exited and walked to the gallows, chains sweeping in the distance, he remembered th


Spotify:
https://open.spotify.com/album/3v2S5ZASfH8BVTw0HEsN5i
Apple:
https://music.apple.com/us/album/world-of-machines/1526087649?uo=4&app=music&at=1001lry3&ct=dashboard
Google Music:
https://play.google.com/store/music/album/Pippy_World_of_Machines?id=B4vjsvm4ypou2msccmb6wxkcasq