Nope..noody out there...they've all been abducted...love this track....

Oh, if all those scoff movies are correct, you have to look in the back of the neck, th'at's how you can 'know'. Unfortunately, at this time, there is no help possible...you're on your own...detached or semi detached, it's all the same...so, just relax and enjoy the abduction anyway...i's actually not all bad...and if it ends in tracks like this...then that's good, ain't it?

Another comment...if you can draw a listener in and get them to feel they are 'sick inside' the space crated, then you've done a good job...definitely feeling claustrophobic here...so, please, won't you let us out!!!

Soundcloud message won't send, so here is my response to this wonderful track,https://soundcloud.com/alien-syndrome-deluxe/somethings-down-there-in-the-basement?si=7a48c0dd9fd148ed8f5cf49b10e1919a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Response number 2https://soundcloud.com/alien-syndrome-deluxe/dont-go-down-there?si=7a48c0dd9fd148ed8f5cf49b10e1919a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

When AI Takes Over, I Hope It Likes This Song

Available for streaming and digital download @ https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-3

ColorSquad013

1106pm

ColorSquad013 | Cepheid - 1106pm

Mimo-Soto was recorded in London over two sessions in October and November, 2019

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Ken Ikeda / buchla music easel
Daniel Kordik / modular synthesiser and korg sequencer SG-10

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Mixed by Ken Ikeda and Daniel Kordik
Mastered by Daniel Kordik
Cover by Daniel Kordik

Earshots Recordings
Digital Editions
2020

Ken Ikeda   Daniel Kordík - Mimo - Soto - 04 D

thought intrusion

subway trip (newjunk town)

Space Revolution

Alexandra Spence – “Do jellyfish breathe?”

A reworked version of this piece has been released as the album 'a veil, the sea' as a cassette tape or download on the Mappa label. You can purchase a copy here:

https://mappa.bandcamp.com/album/a-veil-the-sea

During Sydney’s most recent lockdown I submerged* a 15 minute-long piece of cassette tape in seawater collected from a local beach. The cassette tape contained a field recording of waves, and a recording of my voice offering a (non-definitive, and non-hierarchical) list of things found in the Pacific Ocean.

I’ve been thinking about connection with bodies of water, as well as connections between bodies and water, and how we might reimagine our bodily limitations to examine the things that connect us to each other and to our surroundings. The sea has always felt like home, and having lived on both the east and west edges of the Pacific Ocean it has become a place of connection for me.

I’ve been thinking about the Pacific Ocean as a home – not only to marine creatures and sea currents – but to the obscure movements of global trade, offshore data barges, and sunken satellites deactivated and dumped from space. Vast bodies may seem infinite, but nothing is – the depths hold mysterious, beautiful, and troubling things.

…Bottlenose dolphins, ancient artefacts, Lego pieces, approximately 36 species of shark, underwater mines…

Imagining an infinite ocean has led to overfishing, floating plastic-particle gyres, lost whales (as a result of the underwater din of shipping and naval industries), and an international sense of unaccountability.

“… Do jellyfish breathe?” is a kind of sonic traversing of oceanic layers, exploring imaginary landscapes, entwining and encountering unequal forms, such as breath with wave, fish with fishing line, along the way.

*Submerging the tape in salt water is an expansion of an ongoing project in which I bury tape loops 7-second field recordings on tape loops before burying them in the earth at the location in which they were recorded. I imagine this as a collaboration of sorts — I make a recording and the physical variables of each place and location alter it. While the magnetic coating of the tape retains sonic remnants of the recorded sounds of the place, the physicality of the tape ribbon retains material remnants of the place: sand, salt, other, which, in turn, impart audibly on the recording in the form of crackles, scratches, tape-warp, and hiss.

Alexandra Spence - Do Jellyfish Breathe (excerpt)

Brick Daz

BeKind

Hegira

Buy or Stream: https://go.protonradio.com/r/rlxjzDrMMR6Dw

With “Horizons,” Ha.arp delivers a mesmerizing journey that unfolds like a cinematic sunrise—delicate, expansive, and emotionally evocative. Released on the ever-consistent Magician On Duty imprint, known for its atmospheric and boundary-pushing catalog, this track comfortably carves its place among the label’s finest downtempo offerings.

From the opening moments, the production radiates warmth. Gentle pads swell and shimmer, creating a lush sonic bed that feels both airy and grounded. There’s a tender interplay between ambient textures and subtly modulated synth lines, which ripple like waves against a shoreline. Ha.arp’s attention to spatial design is notable—every element is placed with intention, allowing the composition to breathe.

Rhythmically, “Horizons” leans into restraint. The percussion is soft-spoken yet effective, with shuffling hats and organic-sounding hits that emerge gradually, never overwhelming the arrangement. This minimalist groove supports the track’s emotional core without disrupting its meditative flow.

As the piece evolves, melodic fragments surface like fleeting memories—glassy keys, distant echoes, and atmospheric arpeggios. These sonic details add depth and narrative, inviting repeated listens. It’s a track that doesn’t demand attention but rewards those who give it.

“Horizons” is a masterclass in subtle storytelling through sound. Perfectly suited for early morning sets, introspective moments, or slow-burning journeys, it captures the essence of Magician On Duty’s aesthetic—elegant, emotional, and immersive.

Goodbye My Love

🔮 Magical Download 🔮

Ha:arp - Horizons [Magician On Duty]

Hello, my name is pippy. 

welcome to my diary.

gud tra ks coming, august 12 2025

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ABOUT pippy (that's me, pippy):

enoff have asked who and what is pippy. pippy is pippy, i.e., a silly name with no meaning or basis. the idea of pippy was to create a baseless character for my music to live in, unbound by any sense of seriousness, coolness, likeability. the name and idea of pippy is to provide a 'wtf' response from whomever stumbles upon this page. i do not like creative boundaries, expectations, and preconceived notions. i think a lot of musicians get wrapped up in identity (crisis) and advertise their music with intent of being listened to, and become influenced by what is known to be likeable. i purposefully do not advertise, share, or promote my sounds to retain an honesty and rawness in what i produce. i write from whatever is on my mind, in my mind, at the moment. nearly all tracks are sloppily written in 1-3 hour bursts, and then thats it. 99% of my tracks are completely written from scratch, lots of midi work and many modulations to create a dynamic sound. i try to keep things unpredictable, to a fault.. i become bored very easily, and i enjoy this process i have nailed down. i leave it to the community and the listener to decide if my tracks are worth sharing. as you can see from the numbers, my page is quite lonely. i like it this way. but, if you enjoy what you hear, i leave my promotion in your hands. pippy enjoys creating for the sake of creating, out in the world of pippyland. i encapsulate current emotions in each track, so this is the closest thing i have to a diary. i can recall the mood, state, time, period of each piece, and it is an amazing way for me to recall my past. there is no social media maintained for pippy, no other source for these tracks. just shitty soundcloud, which is quite awful. i should invest more time in expanding to better platforms but i am a creature of habit. if you've read this far, then yer one of the few that is intrigued by the sounds and so i'll continue for u.

original concept for pippy:
pippy was orphaned due to mother passing during birth. the father was totally distraught by pippy's green colored skin, and what appeared to be red hair., as such, abandoned, pippy was sent to work in the ole' mill in the glorious 'Tube City'. pippy enjoyed his work, but one day while having tea in his shack, he heard a shriek. pippy investigated his neighbors box and was shocked to see a dead body. Tube City police arrived shortly after and attempted to arrest pippy. alas, he gave them the ole' pip-slip and made a shabby escape at the local marina. pippy sailed far away to an island where he met garp, a red faced dim-witted creature. pippy enjoyed the peaceful nature of his new life on the island, but eventually the wails came. pippy trapped on the island, was forced to turn himself in! the court hearing occurred immediately and all at once: pippy was to be sent to Penal Planet for execution. the ship took months to arrive at the block. as pippy exited and walked to the gallows, chains sweeping in the distance, he remembered th


Spotify:
https://open.spotify.com/album/3v2S5ZASfH8BVTw0HEsN5i
Apple:
https://music.apple.com/us/album/world-of-machines/1526087649?uo=4&app=music&at=1001lry3&ct=dashboard
Google Music:
https://play.google.com/store/music/album/Pippy_World_of_Machines?id=B4vjsvm4ypou2msccmb6wxkcasq

thought intrusion

Pippy

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Alien Syndrome Deluxe

eris mirror ⌘

Alien Syndrome Deluxe

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