founderssss
@w3bcam
@aidanswank
@bleachblonde

f02usS

The most currently relevant selections of the immediate now: it's new!

CONTEMPORARY MUSIC: NOVEMBER 2020

uhmmmmm 🏌️‍♂️

hyperpop for ADHD Zgen kids, so basically for u

bleachblonde - DRAFT PICKS

kid trash x dion - sleep with the lights on #nitecore1111

RUN IT UP (FEAT. KID TRASH)

oaf1 + dreamcache  - doing it wrong [remix]

@bleachblonde
@w3bcam
from w3bcam & better2gther comp

i dont wna talk, i just wna fall in love
i fell outta bed way before Im wakin up
never broke with you ,They never wanna sing with us
another episode, anotha time it ain't enough

yeah, creep my phone nwere silent (i dont wnna talk)
n my nose goin milage
fuckin up my attire
and i dont need You
baby, Im tired

bleachblonde @B2G 2019_2

Wish Goes On

Milly - Star Thistle Blossom

global warming w/ blackwinterwells, popstarbills & boofbby (alice gas)

sold ur man some dirt but the baggy said runtzz ahahaaaaa
ft. @daisydiva7 beat by @alice-gass mix by me/jugo and master by @luvoxx

spotify

BAGGY SAID RUNTZ!! ft. DAISY DIVA

@bigbillsondeck @srdbeats 

art by @anglwntr

everything that i can (srd) - kevinhilfiger x popstarbills

w3bcam - friendship song

@w3bcam
https://www.youtube.com/watch?v=4Rw42NSGkZk

w3bcam - Stupid life story

pop rocks + popstarbills & josen (shy)

woke up.. boutta make some bad decisions
ft. @yuki-pons & @jackieplatinum
everything by me <3

BAD DECISIONS ft. SHYBURIAL & JACKIE PLATINUM

UNLOVED BOY

Self-titled

Spotify

EMOTEGIxMIDWXST⛽⛽⛽PROPANE PROD SLAPPY

w3bcam @909 2020_4

Out now on tape & digital on Genot Centre. 
Produced by https://soundcloud.com/euglossine
Mastered by https://soundcloud.com/fire-toolz
Album cover & tape/fabric/sticker design by Lenka Glisníová & https://soundcloud.com/h5io
Limited edition of 55 C34 tapes with on-body printing, stickers & digitally printed fabric pro-dubbed by Headless Duplicated Tapes.

"Like the biodomes of Silent Running, Tristan Whitehill is building ambient ecosystems as Euglossine, built from a biological syntax all his own to form something close to his own virtual paradise." (https://soundcloud.com/spoolsout) 

“Tristan Whitehill revels in creating worlds that are unique and tweaked, but full of rich creativity.” (https://soundcloud.com/thetome) 

"It’s basically impossible to foresee the next move in the cinematic grandeur of the compositions, which are at times so overflowing that it makes you wonder if an actual arcane alien message could have been encrypted in the sound textures." (https://soundcloud.com/paynomindtous) 

“Euglossine relies on a highly professional musical language that he creates with his dreamy and intertwining guitar melodies. In addition, Euglossine plays with human sound, lively drumming, flutes, and fluid surroundings, creating from these coherent elements a small, imaginative universe." (https://soundcloud.com/ma3azef) 

"I want to live in this mysterious utopia." (https://soundcloud.com/avyss) 

“A pleasant intriguing musical journey through warm melodies, psychedelic textures, mysterious twists and turns and an excellent personal musical voice.” (Fluid Sonic Fluctuations) 

“Delving deeper, we can catch a hint of tunes catapulting us tired and angsty 20-30-somethings into a mental tea room of sorts, featuring soothing atmospheric and orchestral arranges.” (SWARM) 

On BLUE MARBLE AGONY (GEN042), https://soundcloud.com/euglossine constructs something that is akin to a self-contained miniature domed city, filled with glowing mosses, intricate organic machinery and a range of peculiar lifeforms. Using a highly idiosyncratic language that can only begin to be described as high definition cyber prog, imaginative modal explorations and the constantly re-opened and transformed harmonic possibilities create a paradisiacal surface; supported and contrasted by otherworldly drum hits, chirps and clicks, these apparent daydreams become aching cryptograms, uncanny reflections and tremendous labyrinths. Percussive, bouncy particle systems, ornamentalized alien flute motifs, carefully strummed guitar tapestries all figure in a whole that has the outward lightness of a breath of air, the depth of a thought taken to its conclusion and the inner congruence of a small universe conceptualized.

// Tristan Whitehill (https://soundcloud.com/euglossine) about the album
“Blue Marble Agony is inspired by coping with the environment as it changes and as evil figures fighting for power, yet harming the nature they require to live.”

// Lenka Glisníková & h5io6i54k about the design 
“Burning sand under my feet and a cocktail in my hand, I levitate in a vortex on the threshold of pleasure and agony. The tornado that blew over the beach carefully gathers all individual sea-shells, flowers, cigarette butts and paper parasols, arranging them inside my field of vision as if they have become the central subject of the last remnants of the rest of my existence. I am irreversibly hurled outwards from the earthly atmosphere along with my everlasting companions to finally witness the phantom image of our host in the form we have always craved to see as default - an infinite homogeneous beach. I slurp my drink and drown in the universe of alien nostalgia.”

Buy digital/tape

Euglossine - No Species

Empathy is the new album of Prague-based artist and producer Slowmotiondancer. Ghostly personae croon over austere arrangements, caught between ennui and yearning.

Music and lyrics written and arranged by Dominik Gajarsky
Violoncello by Matyas Keller
Produced and mixed by Dominik Gajarsky
Mastered by Dirty K
Cover art by Matyas Malac

w3bcam @909 2020_4

user 0092703