Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

Demo submission only to: demo@stilvortalent.de 
Booking requests: booking@stilvortalent.de
General requests: music@stilvortalent.de

Electronica /Trip hop/ Minimale
_ thylacine.w@gmail.com
_ Management : clarisse.arnou@gmail.com
_ Tour : 
UNI-T (Booking France / Benelux / Switzerland) I Tommy Addington I tommy@unit-production.com
OUTER MOST AGENCY (Booking North America / South America / Australia) I Todd Walker I twalker@outermostagy.com & Ian White iwhite@outermostagency.com
VON DER HAARDT (Booking Europe, Middle East, except France, Benelux, Switzerland) I Christian Winzer I christian@vdhaardt.com
_ Label Intuitive Records: lisa@intuitive-records.com

Keadz is a duo who like contrast. They would have almost made their watchword. The two young artists take pleasure in mixing dark and light environments, clear and grainy. And to do that, in terms of textures, nothing is left to chance. Essentially based on using filed recording, their productions intertwine different genres, codes and style. The result is clear: the habits are shaken up and transformed. And this is obviously what Keadz research, an atmosphere all its own. With organic, tribal and aquatic influences, their music is wet and sensual, almost sexual. And if everything works, it may be because the duo likes imperfection and all those little details that create this fragile and sensitive atmosphere. A unique atmosphere that has evolved since their inception, and their strong point seems to be this desire not to be locked in a unique style.

All inquiries at contact.lapetitecompagnie@gmail.com

Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

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