Rough Skies

Chorus:
Rough skies, it’s alright, we’ll find a way in time
Rough skies, it’s alright, everything’s gonna be better
 
Verse 1:
Feeling down, my world is upside down
So I called you out with some Jack on the rocks
With people chilling, keep them while we’re sipping
Let’s talk and walk, oh we’re not quitting
 
Verse 2:
Around the curve as we swerve making our way to the city
Sober minds, crooked smiles, life gets me so dizzy
The sun is rising, it’s a new day even if we have

Rough Skies

NOTE: This is an audio rip from the video I posted in FB. In other words: if you want to listen to this without my face, here you go.

This beautiful song was shared to me by my friend, Ridge Tan and asked me to sing my own rendition. It's written by Shara Worden (My Brightest Diamond), a lullaby for her son. As for my cover, I dedicate this song to my 2 year-old sister, Joie. :)



I Have Never Loved Someone (My Brightest Diamond cover)

Patlang

// S W I N G //

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Stream / Download

Swing

Bawat segundong meron
makita ka lng nakangiti
dahilan ng sigla tuwing didilat
kaligayahan mo ang minimithi

Kung pagbibigyan ako ng langit
hindi kita bibitawan

Mga patak ng ulan
kung kaya ko sanang saluhin
gusto kong ibigay sayo
pati ang buwan at mga bituin

kung pagbibigyan ako ng langit
hindi kita bibitawan

Langit

Music By: Kat Lopez
Words By: Jessan Mirador
Guitars By: Dem Mokamad
Sung By: Kat Lopez (version 1) 
                 Charmi Santos (version 2)

Kahit Di Ngayon

o, ylang-ylang

I.
ang dulot ng ‘yong talulot
ay ang laging pagkaudlot
ng pag-amin sa’yo
malalaman mo rin
laman ng damdamin
binubulong ng hangin
nang palihim

Chorus:
o, ylang-ylang
ilang araw nang
ginugunita'ng
‘yong halimuon
‘yong halimuyak
o, ylang-ylang
‘wag maiilang
sa kalaunang
mabubunyag
o, ylang-ylang

II.
ika’y luntiang sinilang
hindi pinahintulutang
ikaw ay aking mahawakan
ng ‘yong inang luluha
at kukubli sa tawa
ako nalang sana'ng
kainin ng lupa

(Chorus)

Bridge:
bulaklak ng mga bulaklak

III.
langis ng iyong pagtangis
ay kawangis ng ‘yong pag-alis
‘pagkat hindi ka para sa ‘kin

Outro:
nang nalaman ko rin
laman ng ‘yong damdamin
at sigaw ng hanging
walang nililihim
ako pala’ng luluha
at kukubli sa tawa
maghuhukay ng lupa
ibabaon ang tulang
ika’y namumukadkad
namumukodtangi
malanta ma’y kay tamis
ng pagtanggap mo sa ‘kin
o, bulaklak ng mga bulaklak

Gasuklay

o, ylang-ylang

FUJI||||||||||TA, iki, LP

Release date - April 3th 2020
Catalogue nr. - HG2003
Format - Ltd. Vinyl/digital

https://hallowground.bandcamp.com

Credits:
All music composed, played and Recorded by FUJI|||||||||||TA
Mixed by Makoto Oshiro
Mastering by Lawrence English at Negative Space

Tracklist:
1) keshiki (09:42)
2) nNami (09:20)
3) osoi (10:12)
4) sukima (07:03)

///
"FUJI|||||||||||TA has created a work that operates as a beautiful nexus between the material and immaterial qualities of music. 
It is a lived-in dreamscape of deep, rich tonality. A remarkable debut."
(Lawrence English)

///
FUJI||||||||||TA, real name FUJITA Yosuke, is a Japanese sound artist. After countless performances in different contexts either solo or along artists such as Yamantaka Eye of Boredoms and the legendary avant-gardist SUZUKI Akio as well as a slew of solo releases, his LP »iki« (»breath«) for the Swiss-based Hallow Ground label is his first in nine years. On these four pieces, Fujita explores the idiosyncratic sound qualities of the pipe organ he has built all by himself in 2009. This - quite literally unique - instrument features only eleven pipes, an air pump called »fuigo« which was modelled after a traditional blacksmith’s one and has no keyboard. Inspired by traditional gagaku, it was designed to evoke rich landscapes rather function as just another musical instrument. While his previous records saw FUJI||||||||||TA explore various modes of abstraction, »iki« is a highly emotive yet meditative album, musically restrained but full of imagination.

»keshiki« immediately sets the mood for this record with a long sustained note that is punctuated by the soft clicking of Fujita’s air pump. Once Fujita carefully starts bringing melodies into play, the interplay of the drone and the discrete rhythmic element gives way to a fuller harmonic whole. »keshiki« is an intimate piece that perfectly displays the artist’s knack for painting a rich sonic picture with only a reduced palette. »nNami« juxtaposes the sounds of two pipes that are out of tune with each other, creating a hypnotic sensation of ebb and flow (»nami« translates to »wave«) that is full of subtle friction. It’s a staggering artistic interpretation of the instrument’s material characteristics. Clocking in at ten minutes, »osoi« (»slow«) is an overall melancholic piece that explores the relationship between different tone colours through minute changes in pace. Finally, »sukima« (»blank space«) is the shortest and the most rhythmic piece of the four. Composed of only staccati, it is a masterful exploration of the harmonic qualities Fujita’s stunning pipe organ has to offer.

Recorded between September and December of 2019, »iki« marks the culmination of FUJI||||||||||TA’s ten-year-long work with the instrument that he had built without any prior knowledge and started to teach himself to play without a manual in sight. It is, in other words, the unique result of a unique musical mind paying his dues to the uniqueness of his own creation; introspective and welcoming at once.

Patlang

Cheska Marfori