SC86
🔥👌👊😜
_sc86 (INSTA) - NP20 - NEWPORT, S.WALES. Housewerk - Hip Hop & RnB - Uk Garage - Dancehall & Ragga/Bashment -Afrobeats/Funky House...........Freshest Mixes, Playlists and Rare Tracks in each genre.......
.......HOUSEWERK 💯🔥+ Ukg, future garage and classics, Deep House, UK funky, hip hop, rnb, jungle, bashment, dancehall, blends n mashups!!!!!

Introducing: Chris Harris:

Chris Harris is a self taught DJ with both mixing and scratching skills. He’s been smashing the decks for the last 24 years Chris got his first set of technics at the tender age of 12, and soon learnt to beat mix and scratch, hard house and trance is where it began for Chris progressing through several other genre's. Chris still loves to play his vinyl to this day. By 18 years old Chris was playing at various venues in and around leeds, these included Stinkies Peephouse, Bar Home, Roses Bar and Soul Circus to name a few. 

He has since moved with the times and invested in some CDJ’s and XDJ’s where he has continued to push himself into more complex routines and teach himself new skills. With the times came Chris’ internet radio show - Bangerz and Smash. This was first hosted on Funkiez Radio and then quickly followed by BassStream Radio where he stayed for 6 years.. 

Chris has played various venues on the bass scene over the last 6 years, this was highlighted in 2017 with his debut at the super club that is Niche in Sheffield.. He has since played for the legendary casaloco and hanky panky and niche on tour also gracing the decks at one of Leeds rising nights boombox circus

Speed garage, bassline,organs, 4x4 and the extreme heavy bass are what drives Chris’ sets nowadays although he likes to go back to his roots of hard house and trance at times . He loves the dirtier grizzly tracks so always expect a set jam packed with bangers and plenty of scratching 


Catch all Chris’ latest mixes on his SoundCloud at the below link:

https://soundcloud.com/djchrisharris

Marc Leaf is a veteran DJ and music producer whose career has spanned more than three decades at the heart of the electronic music scene. With over 35 years behind the decks and more than 100 releases to his name, Marc has built a reputation for innovation, energy, and deep passion for the craft.

From the underground clubs of the UK to packed venues across Europe, Marc’s sets have lit up dance floors and pushed musical boundaries. His sound, rooted in classic house, continues to evolve—driven by a love for music that refuses to fade.

DJ WALSHY! - Vocal House, Garage & Bass music

I started DJing about 25 years ago when I was 15, and ever since then I have listened to music every day. I started out with Hard House, mixing away on the good old vinyl. Obviously I have adapted with time and technology and am now a fully fledged 'digital' DJ, along with all the rest. (although I do like to dig out the Technics and dust off the vinyl) After I had finished with the hard stuff I moved onto Organ/Bassline house, which was quickly followed by Electro, Jackin and the wonky sounds. The current vocal house & bass sounds are my style. I have a big interest in artists such as Luke Hepworth, Tom Hall, CamelPhat & the Sleepin' is cheatin' team etc.
I have played at many venues and events in and around Leeds and Bradford over the years. These include, Mission, Hanky Panky, Insomnifest, Beaver Works, Mint, Mint Warehouse, Casa Loco's, SYN, The Boilerhouse, Stinkys Peephouse, Evolution and many many more. 

Keep an eye on my page for regular mixes and promo's
Walshy

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

DJ/ HOST/ PROMOTER

Expect to hear the best in, RNB, HIP HOP, HOUSE, GARAGE, DANCEHALL, AFRO BEATS PLUS MORE.

Contact:
Email: jay_r014@hotmail.com
Instagram @OfficialDJayR

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