this song is about yurning for more in life and struggling 

vocals- matt hanson (aka m@tro)
guitar- Jeff pippin- (aka p@radigm)

STH- point of no return

Abandon Vehicle Records is an independent label that supports artists in sharing their vision, encouraging collaboration and creativity.

Nü-Grunge indie band from the Deep South. (?)
We started out making soundtracks but degenerated into this.
May shift between genres but keep being trash fore thy pleashure.
Keep it no further than 2008.

PS: Don't pitch AI crap to us >8(

m@tro-music is my life I grew up in Yucaipa CA. My musical influences are the rolling

Stones,faces,Ronnie,wood,also men at work, Colin hay and Bruce Springsteen.Colin hay and Bruce Springsteen are my favorite song writers.Another artist I enjoy is j.mascis I grew up in the 80s so i had a lot of music in my life.Im just a working class guy making music from my heart my solo stuff can be found @ https://share.amuse.io/jSUEL2CnWzqz
also my m@tro YouTube link👇
https://www.youtube.com/@matro951


STH (band)-STH-(small town heroes) 2 best friends,matt hanson aka m@tro  (vocals) and Jeff pippin aka p@radigm(guitar)write songs and play music together since 2004 with long hiatuses in between we just started playing together again most of our songs where recorded in 2004 and 2008.STH project acoustic album can be found @ https://share.amuse.io/QIuo-GJgsVnK also on bandcamp@ 
sthmusic3.bandcamp.com
YouTube link------👇
https://www.youtube.com/@sth8453
Donations 
https://www.paypal.com/donate/?hosted_button_id=JB3T2ZU6PLUX8
to buy our CDs here is our store
http://Kunaki.com/MSales.asp?PublisherId=189585&PP=1

KRT Production is not just a label.
It’s a creative machine that has been shaking the scene since the 1980s. Behind projects like NUR, Funkle Ace, BBAM, Atomium, and more, KRT is the underground spirit that refuses to fade.

Electronic, rock, experimental, alternative — style doesn’t matter as long as there’s raw energy and the drive to make an impact.
Recording studio, mobile production, SoundCloud launchpad: KRT is both playground and battleground, where artists become larger than their tracks.

Joining KRT isn’t just “being part of a label.”
It’s stepping into a family, a free and untamed showcase, ready to make noise in a world that plays too safe.

KRT Production. Here, music isn’t just heard. It’s lived.

Industrial rock musician, writer and composer. I fuse raw and powerful sounds with sincere lyrics and immersive melodies, creating an intense and authentic musical experience. Welcome

Earth Patriot © plays #BcRich guitars on most tunes trough #Marshall Heads. I do grungy melodic Alternative Rock with mostly three different guitars, have a mixed ethnical background and come  from the north of europe where the light is rare. 

influenced by the second wave of western punkrock and grunge that flooded the networks in the 90ies.

There are some really good soundcloud-exclusive-bands to find out about on my playlists/compilations.

I especially want to recommend The Young Love Scene , Ian McIntosh , Brian Butts, Eternal Ballers  and the bawl slant . 

#DaysGoBy but the chords 
#hardly ever #change !

To interact, just leave a comment or send me a pm!

Cheers!

my favorite artists: @BillyTalent @NIRVANA @NadaSurf
#EarthPatriot es un grupo de Rock Alternativo .

DO NOT MESSAGE ME ABOUT PROMOTIONS FOR ANY STREAMING PLATFORM. I AM NOT INTERESTED. thank you!

if you wanna play #callofduty #warzone with me, just write a short msg and add me - earth-patriot on #PSN / earth-patriot568 on xbox live.

Artist from the big apple. Support, follow, leave a like & vibe
DM me on Insta

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Ultra_eko has been lost to the Underside of late, a subtle astral realm created by a rockhopper penguin. His continual process of death and rebirth has led him far from any semblance of original self. Recent spontaneous OBE’s mean he spends far less time embodied than he used to, mostly for tax reasons. He refers to himself in third person as a fractal iteration of source consciousness, cofounder of Underside Entertainment, and lama admirer.

STH- point of no return

m@tro(solo)/STH (band)