producer and mix engineer
For beat sales and mix work email zootlab@gmail.com
@maghreban alter ego
STRANGE U producer
@drzygote on Twitter and Instagram
I won 'Soundclouder of the Day' in Spring 2013, thats why I have so many followers..

Swirling synths coated in sugar sweet vocals, booming bass lines and kickin' beats.

We're Discobelle.net - a Swedish based music blog that cuts the crap and focuses on the important things ie music. We're also a digital record label with over 30 releases under our belt.

Hype Machine: https://hypem.com/site/discobelle/1009
Submit your track via SubmitHub: https://www.submithub.com/blog/discobelle

If you want to get in touch with us, contact us at: holla@discobelle.net

If you want to get in touch about a dj-booking, contact us at: booking@discobelle.net and we’ll get back to you.

Have an amazing day!

Whatever you listen to on the way home from Blockbuster in 1996

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

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