www.remiwolf.com

Remi Wolf is a crazy bih but is also hella nice and sweet sometimes but also likes to yell at people but has figured out that maybe instead of yelling at people she can just sing and scream at people on stage when she’s in the mood to make money and act like a daddy dom. Remi also occasionally hosts The Steve Harvey Morning Show and the nationally syndicated Family Feud, which is on its 43rd season. She also occasionally guest stars on the Jersey Shore as a Snooki body double. But seriously, shiiii, this bitch fucks tho. Also, I am this bitch, so damn, come at me bros, and carne asahhh dude. Single and not ready to mingle. Check the tunes and you’ll see why…scary shit, brother.

IG @wesperiod & @squadthiq
Twitter @wesperiod & @squadthiq
Snapchat @wes_dot

Management: ryan@workof-art.com
Booking: jadler@caa.com

Official Music Video for ‘cheat code’ by Rosehardt - OUT NOW: https://youtu.be/0ZM0n46FhWw?si=xsXjh2jP3_YNT9Cc

Stream 'cheat code' now: https://ffm.to/ovadlwd

Follow Rosehardt
Spotify: https://open.spotify.com/artist/4r6z3Bx1rDiuqkyKGXGvSN?si=QA_q_A1BT2uIe7tbmnP-TQ
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https://www.rosehardtmusic.com

Follow Rosehardt
Spotify: https://open.spotify.com/artist/4r6z3...
Instagram: https://instagram.com/rosehardt/
TikTok: https://www.tiktok.com/@itsrosehardt
Twitter: https://twitter.com/rosehardtmusic
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VERO: https://vero.co/rosehardt

MGMT - gabriel@crookedletterfilm.com

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

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