Red Moon is out now!
https://tommisch.ffm.to/redmoon

Management  > Duncan Murray - mgmt@tommisch.com

Bookings

Worldwide excl. North America
tom.schroeder@teamwass.com / natasha@motherartists.com

North America
ehancock@teamwass.com 

U.S Press > dana@biz3.net

The night is dark and filled with donuts....

<a href='http://gigs.gigatools.com/u/EwanPearson' target='_new'>Ewan Pearson's Upcoming Gigs </a>Saturday 05 July, 2014 <a href='http://gigs.gigatools.com/u/EwanPearson' target='_new'>Garden Festival, Tisno, Croatia</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Ewan Pearson has been making music for a living since 1998. In that time he has worked as a recording artist (Maas, World of Apples, Partial Arts), a remixer (Depeche Mode, Chemical Brothers, Goldfrapp, Cortney Tidwell, Junior Boys, Metronomy), a record producer (The Rapture, Tracey Thorn, M83, Delphic), a DJ (Space, Robert Johnson, The Loft), as well as being a published academic (‘Discographies’, Routledge: 1999, with Jeremy Gilbert) and music columnist (Groove Magazine, Germany 2007-present).

‘The Venus Williams of the DJ World’ The Guardian

‘One of the world’s most trusted authorities on electronic music’ iDJ

‘The ultimate poster-boy for dance music geeks.’ Eye Weekly

‘Dance music’s smartest cheerleader’ Time Out Chicago

‘You may never quite be sure what you'll get from Ewan Pearson, but you can always be sure it'll be worth getting.’ Resident Advisor

‘Someone with an up-to-the-minute knowledge of dance trends as well as an understanding of what makes trad songwriting tick... We’re lucky to have him.’ Pitchfork

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Producer Tracks Only / Link for DJ sets is below. 

Bio: Co-founder of the legendary CLEEN club night in East London, Ben has produced tracks for a BBC Crime Stoppers campaign and had residencies all over the world, playing at Ministry of Sound in London, Subway City in Birmingham and Stonewall in Sydney to name a few. 

AKA: Ben Jamin / Ben Joseph / Stupid Ridiculous.

DJ/Remix bookings: 
rayko.boogie@gmail.com
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Based in the beautiful and vibrant city of Madrid, Spanish DJ and Producer Extraordinaire - Rayko has been a leading light in the clubbing scene around Europe and beyond, since he founded his magnificent Rare Wiri label in 2008 where he has released some of the coolest names out there during all these years like Daniele Baldelli, Man Parrish, Gazeebo, Ilija Rudman, Ichisan, Spirit Catcher, Mushrooms Project, or Eric Duncan among many others

His very unique sound and personality, and incredible work ethic, coupled with  unstoppable creative genius have given Rayko the momentum and consistency to stack up a number of great achievements in his genres, although being such a humble and down to earth guy, he will tell you that he just loves what he does and is perpetually inspired to keep on doing it! 

Deeply rooted in the golden era of the ‘70s and ‘80s, Rayko’s influences are masterfully interpreted and transformed into modern day dancefloor bombs with great vision. His love affair with the evolution of synthesizers and vintage drum machines has gone on to heavily fuel his sound today, in addition to sonic desires of 80s Rock evident in his catalogue, that displays such exquisite musical versatility. 

Rayko is very proud to have featured on over fifty great vinyl releases, spread across labels such as Eskimo, Is it Balearic?, Whisky Disco, Lumberjacks in Hell, and Editorial, including two studio albums on Nang Recordings, in addition to over two hundred digital releases. Many of these titles have been repeatedly featured in Top 10 sales charts, with some releases making it to the coveted number one position on platforms like Juno Download, Beatport, and Traxsource. His talents as a remixer have been in constant high demand, with invitations from coveted Artists like Psychemagik, Sirs, In Flagranti, Roberto Rodriguez, or Dj Rocca, to name a few, calling upon his exceptional skills.

In his capacity as DJ, Rayko is much loved wherever he goes. He has toured extensively, having played in some of the best clubs and festivals all over the world,  from London, Berlin, San Diego, Ibiza, Paris, Milan, San Francisco, Tulum, Barcelona, Manchester, Los Angeles, Medellin, Cairo, Miami, Istanbul, Moscow, Tokyo, Mexico City, Liverpool, Oslo, Rio de Janeiro, Bali, to Lebanon and beyond, he continues to show love to his huge following, who are collectively responsible for  his incredible global streaming numbers of over six million plays on Spotify, Soundcloud and YouTube.

As his fantastic catalogue continues to expand through the years, Rayko has become one of the most loved names in modern Disco.

HEFE SYAH HEFE is following