"Turqumstances" live recording (Caglayan Yildiz-g; Oguz Buyukberber-bcl;
Slobodan Trkulja-ts; Mark Haanstra-b; Chander Sardjoe-d)

http://fancymusic.ru/dmitri-kourliandski-falsa-lectio/

prePositions, FL [falsa lectio] #2 and Voice-off are composed in Berlin in 2008. prePositions and Voice-off are united by the treatment of the instrument and the voice as a complex composite organisms: these are rather ensemble pieces than the solo ones. Lips, teeth, tongue, throat, vocal chords, fingers, strings (split in four sections), violin body elements – all is imagined as separate instruments (wind, percussion, string) forming an active dialogue, having separate parts, notated on separate staves in the score.

Voice-off, as well as FL [falsa lectio] #2, also represent a trip inside the interpreter. The physiology of the voice, articulation and breath apparatuses serve as a material of these pieces (the flute body just builds up an additional filter through which the apparatuses work). The pieces demand extreme concentration and physical efforts. In a concert situation they usually last almost twice shorter than on these recordings. A musician’s physical tension peeps out the sound surface and becomes one of the material’s layers of the pieces.

Composed in 2010 Shiver for accordion has a more traditional nature. The material is based on the attentive listening into the long-lasting sounds/states and on the register and distance changes of the listening. Within the listening process a new unexpected contrast material is born, which is in fact just a formal run over the accordion chord buttons. This formal gesture reminds of a splash on a still water surface or of an opening the door into a parallel musical dimension… The door closes shortly.  

The tracks are recorded in a studio with maximally close microphones. Thus we tried to gain the effect of entering the instrument, entering the sound anatomy. This effect permitted us to open up lots of hidden noises which are usually swallowed down by the concert hall acoustics. While listening with headphones this sound physiology comes ahead. While listening with the loudspeakers hides these details in a natural acoustics of the room, approaching to the concert sound.    


Dmitri Kourliandki - FL [falsa lectio] #2

You can  watch  with  Graphic notation from here : http://www.csismn.com/SYN-Phon

Graphic notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet 
Ölveti Mátyás: Cello 
Candas Sisman: Electronics and Objects 

Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th. 

www.csismn.com
www.budapestartfactory.com
www.barabaslorinc.com
www.accordquartet.hu

Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication. 

Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically. 

Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast. 

Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel. 

Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression 
rightfully to the impulses in line of creating a new language.

SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself. 
The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.

SYN-Phon

Fernando Guiomar - guitar
Paulo Chagas - flute

Fernando Guiomar & Paulo Chagas - January improvisation duet nº1

MC Recep ft MC Recep - Başbakan Son Hadi (zat zat horhor)

Centrifuge.
Bana doğum günü hediyesi bu :)
Geçen dönem kurduk bu grubu...
Bu sene çalacaz.
umarım seversiniz ;)


Centrifuge-birth day and night

Centrifuge is a free improvisation group from İstanbul. Centrifuge is: Can Ömer Uygan-tp; Caglayan Yildiz- g&b; Cihan Mürtezaoğlu- g;; Senol Kucukyildirim- drs and cymbls.

Centrifuge-Free or not to be

Centrifuge is a free improvisation group from İstanbul. Centrifuge is: Can Ömer Uygan-tp; Çağlayan Yıldız- g&b; Cihan Mürtezaoğlu- g;; Şenol Küçükyıldırım- drs and cymbls.

Centrifuge- One two free

A Turkish Bop Blues in 9/4 by Caglayan Yildiz
Concert recording  of "Turqumstances "
(Caglayan Yildiz-g; Oguz Buyukberber-bcl;
Slobodan Trkulja- ts; Mark Haanstra-b; Chander Sardjoe-d)

10x9

Alexandre Vallaury anısına.

Kapak Fotoğrafı: Tuncay Dersinlioğlu

Hayalet

These are the compilations of my works of different genres.


10x9

Caglayan Yildiz

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Caglayan Yildiz

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