'The Dreaming Room - Special Edition' OUT NOW
iTunes: http://smarturl.it/TDR_iTunes 
Spotify: http://smarturl.it/TDRSpecial_Spotify
Google Play: http://smarturl.it/TDR_GooglePlay

Booking:
scott@newmail.dk
5COTT stands out as one of the most versatile DJs in the industry, renowned for seamlessly blending music across an array of genres—a skill honed over many years immersed in the world of music.

His Groove-Yard mixtapes traverse the spectrum of house music, from the depths of underground beats to the vibrant energy of funky rhythms. Meanwhile, the 5cottland-Hard mixtapes showcase his mastery of progressive house. And then, there's the eclectic mix of everything in between.

His journey into the realm of DJing began with a fascination for turntablism, scratching, and the technical craftsmanship behind the art. Initially drawn to Hip Hop, his musical exploration soon led him into the realms of Funk, Disco, and ultimately House music. The culmination of these experiences is a remarkable blend of skill, musicality, taste, and boundless creativity.

5COTT's career has taken him to cities far and wide, collaborating with esteemed DJs and leaving an indelible mark on the industry. With a discography dating back to 1996, his production and remix work have graced numerous labels. His accolades include Dj Awards and other prestigious honors.

Moreover, he's a key member of the A5 collaboration, known for the viral success of "Adagio For Strings (Extreme intro mix)," which garnered over 100,000 plays on a new profile without any promotional efforts. You can find it here: @a5-promo.

Yet, perhaps the most compelling testament to 5COTT's prowess is his music itself. Explore his extensive catalog of tracks and mixes, and you'll quickly discover that 5COTT's musicality and creativity speak volumes on their own—asserting him as a force to be reckoned with in the industry.

Enjoy!

Klassik und Jazz erfreuen sich immer größerer Beliebtheit. UNIVERSAL MUSIC Stars wie etwa Anna Netrebko oder Till Brönner unterstreichen diesen Trend und sind beste Beispiele für den Erfolg des umfassenden Engagements auf diesem Gebiet. 

Neben der intensiven Arbeit sowohl mit jungen Talenten als auch mit etablierten Künstlern entwickelt UNIVERSAL MUSIC CLASSICS & JAZZ als Marktführer in den jeweiligen Genres kontinuierlich neue, innovative Marketing- und Promotion-Strategien, um alternative und zeitgemäße Zugänge zur facettenreichen und spannenden Welt von Klassik und Jazz anzubieten. Die Unit baut hierfür nicht nur junge Künstlerinnen und Künstler auf und begleitet sorgfältig und verantwortungsvoll ihre musikalische Entwicklung, sondern sorgt vor allem auch kontinuierlich für die Erschließung und Pflege neuer Zielgruppen. Mit grenzüberschreitenden Projekten wie der „Yellow Lounge“, die Klassik an ungewöhnlichen Orten präsentiert, oder auch dem „Verve Club“, der die ganze Vielfalt des Jazz präsentiert, leistet UNIVERSAL MUSIC CLASSICS & JAZZ hier und auf manch anderem Gebiet seit langem wertvolle Pionierarbeit. Diese und weitere Aktivitäten bringen die unendliche Vielfalt der Genres einem stetig wachsenden Publikum näher, das musikalische Entdeckungen als Bereicherung seines Lebens zu schätzen weiß.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

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