Entrer dans l’atmosphère de Sintilair, c’est se laisser guider au coeur d’une parenthèse musicale, intense et aérienne, teintée de blues et autres afrobeats. Un métissage des styles, une voix. Le récit de nos vies. Fruit des rencontres, du voyage et de l'instant.

AGENDA 2016 :
- Février : Résidence Gare de Coustellet, Maubec
- 30 mai : Emission France Bleu Vaucluse
- 6 juin : Festival Carambolages, Morières les Avignon

2015 :
- le 4 avril 2015 en 1ère partie d'Akale Wube à Akwaba (Châteauneuf de Gadagne)
- le 5 juin 2015 au Festival Lilenzik (Isle sur La Sorgue, France)
- le 25 sept. 2015 aux Passagers du Zinc (Avignon, France)
- le 10 nov. 2015 à La Gare de Coustellet (Vaucluse, France)
- le 20 nov. 2015 à Akwaba en 1ère partie de Jehro (Vaucluse, France)

Childhood
Akira’s childhood has been rocked by pop music songs. That’s why, at the age of six, he would have sold his mother to see Michael Jackson moonbreaking live. No, wait, I think that’s what he did, actually. Soon after that, at junior high, with only one kidney left, he got interested in hip-hop, around the age of ten. And at this point you’re asking yourself : “Okay, but, why he didn’t get interested in some japanese headfucking animation like every kids at that time ?”. And this is a good question. Well, I don’t realy know the answer, but I can figure this can be the reason why he is now a good DJ. I mean, do you think that Goldorack-headfucked kids can get as good at DJing as hip-hop early interested kids ? I don’t think so. Anyway ! 1990 : The hardcore french rappers from NTM (Nique Ta Mère, It means “Go fuck your mom” in french) weren’t hudge yet, but Akira was already listening to some cranky hip hop bands from the east coast, like the Beastie Boys (the reason for him to sell his father.) Finally he got two decks at seventeen and kept his parents, hurray.
Style
Akira started his beatmatching work with some old club house records. Then he got hardcore and did drugs (I mean crack) and things got complicated and … JUST KIDDING !!! Actually, after house, he got techno, like Detroit techno. Thanks to Jeff Mills, Akira was saved from the housy stuffs for ever ! After that, he did a lot of drum’n’bass (for a fucked up place), then breakbeat, and finally, in the stride of break, he got hip-hop (again, in the end !) All the styles he added to his selection through the years allow him having this assumed and claimed Eclectism on stage, and yes, it’s a capital E. As his friend Garfld, Akira is able to play some fat acid break track from the u.k. then pursue with a RATM metal anthem. Call this a dangerous drive if you want, but it does really work on the dancefloor (ask you mum.)
Philosophy
Akira’s big admiration for genius turntablists like Craze, Netik or Kentaro pushes him to work out everyday (well, each non hangover day, actually) his technical scratching skills and vynil touch. Isn’t it a awesum thing in a world more and more made of digital deejaying ? What you can be sure you’ll never get with Akira is the laptop point and click stuff. Only black, glossy, loud, and heavy records. For ever and ever ! Above pure djing, Akira is also the founder and president of Electrons Libres crew, and he is producer. In 2008 some tracks have been released on the Irish labels Audio Donor and DeFused.

Contact: electronslibres@wanadoo.fr


Cameron Michel,  originaire de Nîmes, dans le sud de la France. 

j'ai développé une passion pour la musique et j'ai consacré mon temps à explorer divers genres et styles.

Autodidacte en matière de production musicale électronique, j'ai également élargi mon répertoire et apporté des éléments organiques à mes compositions.

Je puise mon inspiration dans une multitude d'artistes, dans l'électro ainsi que d'autres genres musicaux.

Des artistes tels que Worakls, Slipknot, N'to et Martin Jondo ont profondément influencé mon parcours artistique, me fournissant une base solide sur laquelle je construis mon propre style.

Besac-Arthur est un Globe-Singer : il parcourt le monde avec sa guitare pour tisser des liens artistiques, spirituels et humains. Son nouvel album, né d'un voyage initiatique en Inde mêle musique du monde, récit personnel et appel à la transformation intérieure.

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