DJ/Producer from London.
Co-owner of Virus Recordings & head henchman of Piranha Pool Recordings.
One half of Killbox. Bookings : mark@esp-agency.com 
USA/Canada : saleem@amodeagency.com

An artist synonymous with Drum and Bass, Ed Rush has become a byword for cutting edge, forward thinking
beats. Moving through the sounds of hip hop and electro in his early musical years, Ed Rush soon became
interested in the emerging London jungle scene.
Showing his innate ability to manipulate chopped breakbeats and piles of sub-low bass, it wasn't long before Ed
Rush and Nico dropped the huge 'Bludclot Artattack'. The first classic to Ed Rush’s name, this proved to be a
platform for another collaboration with DJ Trace. Simultaneously developing his own style whilst pushing the
boundaries of a genre, classics such as ‘The Mutant' and 'Guncheck' put Ed Rush’s attitude injected productions
firmly on the map.
One of the pioneers of new sound dubbed Techstep, Ed Rush soon teamed up within another leading light,
Optical; to form what would become one of the most progressive production teams in the scene. In 1998, Ed
Rush & Optical released an album universally recognized as changing the landscape of Drum and Bass forever
with the legendary, ‘Wormhole’ on Virus Recordings. Still regarded as one of the main catalysts for the Neuro and
Techstep sound, ‘Wormhole’ paved the way for household names such as Noisia, Bad Company and many more.
Since then Ed Rush has released a plethora of genre-defining tracks and albums, both solo and with his partner in
crime, Optical. Still busy at work on a new Ed Rush & Optical LP due in late 2013, Ed Rush is not merely content
with helping shape the scene and remaining one of its most consistent producers. Beginning his own venture, he
now looks to the future with the birth of Piranha Pool. An outlet for showcasing new talent and veterans alike,
Piranha Pool represents what will be the future of Drum and Bass.

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Pablo Benjamin is a producer, sound designer & label owner from Buenos Aires, Argentina. 

He developed his style through various genres while experimenting with new sounds inspired by a variety of unusual sources. Writing music under the name c0ma, his original tracks and remixes have earned critical acclaim.

 In 2010 he founded the respected netlabel @abstraktreflections, giving unheard artists a platform to release their work.

kytikut is following