Jere Kizer Douglas, Clarinetists, Clinician and Performance Artist is the winner of the Lubrani Clarinet Award for Clarinet Performance Excellence at University of Memphis for 3 years.  He has performed as a soloist with the First Marine Aircraft Wing Band, First Marine Division Band, University of Memphis Wind Ensemble, Arkansas Repertory Theatre and various on and off Broadway Productions, including the world premiere of “Good Woman of Schezchuan” based on a Berthold Brecht play. 
Jere has performed with the Germantown Symphony, Memphis Symphony, Ray Charles, Bette Midler, Barry Manilow and Joyce Cobb.  As a clinician, Jere has taught around the US of A, including through the Mid-America Arts Alliance and the City of Milan School System, TMEA.  He has performed as guest soloist in Japan, England, Australia, Korea, Thailand, China, Germany, and Artist in Residence “The Clearing” Sister Bay Wisconsin, Woodwind Specialist Arkansas Repertory Theatre and across the United States with various chamber ensembles doing world premieres/commissions of works by various composers.  
Jere studied with Robert Marcellus, Alan Balter, Dr. Jim Gholson, Anthony D’Andrea, Robert Hodge, Leonard Bernstein and various others.  

Mr. Douglas is performing after a 12 year hiatus due to health concerns, as a Disabled American, recovering from a stroke/episode as well as a Veteran of the United States Marine Corps.  “A new beginning!”

Im a Greekxican Born in USA 
HALF GREEK half MEXICAN 
 #LyricalWarzone isn’t just a name, it’s a whole battlefield of sound. It’s the alter-ego that steps into the booth like a warrior on the frontlines, armed with rhymes sharper than katanas and metaphors heavier than artillery. The style is raw, high-octane, and unapologetic — every bar feels like a strike, every verse like a tactical move.

This persona thrives in chaos, weaving together themes of conspiracy, martial arts, and cosmic power into a gritty, street-rooted energy. Imagine a cipher where the mic is both sword and shield, and the beat is the war drum leading into combat. That’s LyricalWarzone’s natural environment.

Tone: Aggressive, strategic, and precise — every word feels like it’s meant to dismantle an enemy.

Themes: Ninja codes, secret histories, forbidden knowledge, urban survival, and universal truth.

Energy: Relentless. No filler, no hesitation, just lyrical strikes back-to-back.

Aesthetic: Shadowy, militant, and mystic. Think tactical ninja gear fused with cosmic glow, like a general of rhyme armies.





Nondualism is universal. Life is cyclical. Change is constant.

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