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✨ O’tawa Innervisions Festival 2025 – Official Playlist ✨

We are so happy to share with you a selection of magical sets recorded during this year’s edition of O’tawa Festival. Each mix is a reflection of the energy, joy, and beautiful moments we all created together on the dancefloor.

A huge thank you to all the artists for their incredible music, to our team for their dedication, and to our community for bringing so much love and light to this adventure. None of this would be possible without you. 💛

Turn up the volume, relive the memories, and let’s keep the spirit of O’Tawa Innervisions Festival alive until we meet again next year! 🌿🌍🎶

When K2WO took over the Shala Playgrounded Stage, the atmosphere turned smoky and delicious, like stepping into a vibrant temple of sound. Carpets underfoot, shadows dancing in the haze, and a mysterious glow wrapped the crowd in a sexy, playful energy !  With bassy, sassy grooves guiding the night, the music became a living pulse—delightful, daring, and irresistibly vibrant.

Artist : ࿐ @k2w0music *live  ｡𖦹°‧ Shala Playgrounded Stage

࿐ Follow the drums & join the movement :

✺ I Instagram: lc.cx/tEXktj
✺ I FB: lc.cx/qyXpxj
✺│ Artwork : @ismetra

࿐ K2W0 *live -  O'Tawa Innervisions Festival 2025  [Shala ˚꩜｡ Playgrounded Stage]

Happy Halloween, dear Laissiez! 🎃🕯️
Believe it or not, today we have a guest from across the Atlantic ✈️🌎. The mysterious @narcissemusique, known for his dark, groovy sound 🎧🖤, sent us a set that couldn't be more fitting for today's Halloween celebration. Crunchy 💥, techy, driving ⚡, and never over the top 💁‍♂️🪞!

🎃 Welcome Narcisse, what is the BPM range you normally play in?
110 BPM is the tempo I feel most comfortable with, but I like to adapt to what feels best at the moment. I've found that being curious and staying open to any BPM has nurtured my music production heavily. On this tour, I found myself playing a couple of times at 125 BPM, and it was a very fulfilling experience.

🕷️ How would you describe your music style in your own words?
Although it really changes depending on my mood and the situation, most of my latest releases can be described as raw, heavy, and edgy. I really like to bring the imperfect side of human beings into art and embrace it—I find it more interesting. I think that seeking perfection can end up killing music genres. At the last stage of a music genre, you will always see an explosion of extreme technic focus artists taking things to the limit, technically.

👻 Please tell us more about your artist name Narcisse.
The name came to me from two sides of my life. The first is a parody of how artists normally focus so much on their beauty or social appearance, and I thought it would be funny for an artist called Narcisse to have a picture of himself (my profile artist picture) highlighting bad facial features. The other reason why I chose this name—I'll leave that there for now :) [Editor's note: Sassy! :-D]

🧙‍♂️  How can we imagine the downtempo scene in Mexico? 
It's an incredibly diverse space of visions and styles with great potential waiting to be explored. You'll find downtempo references everywhere, from the most humble clubs to the poshest ones—two extremes just waiting to be connected.

🦇 Do you see a difference between the downtempo scene in Mexico compared to Europe? 
The downtempo scene in Mexico is still very underground. I think that the genre is still very unknown, even for people inside the electronic music scene. They understand the sound and most likely have heard it before, but it's less known than the bigger movement that has happened in the past years in Europe.
 
💀 In Europe Halloween is more commercial, while in Mexico Dia de los Muertos has a deep traditional meaning. Can you tell us about this tradition?
It does carry a deep meaning, and it shows how we see death. For me personally, it functions as a mechanism to accept, in a better way, when a person we love is no longer with us.

🧛‍♂️ Was it a challenge to plan this dark bounce halloween set or is it just your regular sound?
Thankfully I was able to just put mostly my productions together and it ended up being very fitting :)

🐍 If your sound was a Halloween creature, what would it be?
Hahaha interesting question, maybe medusa, does that count as halloween creature? haha

🖤 What's next for you after this set?
A lot of releases, I release a track a month so there is plenty to go and at the moment i'm writing this i'm finishing my europe tour so, more things to announce soon.

🧟‍♀️ Is there anything you want to tell to the listeners?
Thanks, I'm very grateful for the people that listen to my music, and all the things that I have been able to do, and most importantly all the lovely people I have been able to meet thanks to music, and thanks to the Laissez-Faire crew to put this together -such a lovely team <3 . [Editor's note: ❤️]

Thanks so much for your engagement, Narcisse. And now: Laiss' F(a)ire it up 🔥🎃🔥

Laissez-Fairecast #47 - Narcisse (Mex)

A piano arpeggio unfurls like petals in the dark, while slow, searching melodies drift across a steady pulse. Bloom lingers between clarity and mystery, inviting you to sink into its unfolding layers. What does it make you feel as it opens?

Created by @vincentgericke

Bloom

وقال لي إن أردت أن تثبت فقف بين يدي في مقامك ولا تسألني عن المخرج !

🇵🇸 مِحْرابُ الرّوحْ 🇵🇸

@tiefe-wasser-berlin reimagine @djamiga’s Tzununá as a warm, floating piece of electronica. Inspired by the hummingbird’s stillness in motion, the remix drifts between forest and sky, weaving ethereal textures with mantra-like repetition. Lena’s vocals and organic instrumentation turn the lyrics into a meditative reflection on wandering without knowing the way, fragile, fluid, and timeless.

LYRICS
And a blackbird bobs by
On my neighbour's roof
Stopping, staring
Ah, eye contact at last

Where we go without knowin' the way
Where we go without knowin' the way

Thoughts circling along with the clouds
I peer out at the trees
And a blackbird bobs by
On my neighbour's roof
Stopping
Simply to rest every now and then
Staring
Ah, eye contact

Where we go is anything but sure
Where we go is anything but sure
'cause we go without knowin' the way
Where we go is anything but sure
Where we go is anything but sure
'cause we go without knowin' the way

Where we go without knowin' the way

Tzununá

Comfort Zone is the first single from Seyde’s upcoming debut album of the same name. Thoughtful and understated, the track captures the tension between familiarity and change — between safety and the quiet pull of the unknown.
The track moves through what feels safe and what lies beyond. It’s about that quiet threshold where the familiar starts to shift and comfort begins to unravel. Uncertainty takes over, but so does growth. 
The full album Comfort Zone will be released on October 30.

@seyde-music

Artwork by Omar Tara & Seyde
Mastered by Cid Inc Mastering

support

Seyde - Comfort Zone

❖ Aloha!
@entronomsounds

❖ Humble in demeanor and grounded in his interactions, he carries an authenticity that is increasingly rare in the electronic music world. 

❖ His calm and thoughtful nature sets the tone before he even steps behind the decks.

❖ Whether on stage or in conversation, he listens first, speaks with intention, and treats every encounter with genuine appreciation. 
This respectful energy is something you can feel, both in his sets and in the way he connects with others.

❖ As a DJ, he creates moments that stay with you long after the night ends. 

❖ Thank you Marlon, for being you!!!


❖ Also thank you @maluinator for mastering this mix!

https://soundcloud.com/entronomsounds
https://soundcloud.com/maluinator


❖ Tracklist:
slow child - Joy (Faber Remix)
jorke - Liquid Luck
Benoir - Ajnai (Don Jongle Remix)
End of Time - Horizon
Nada - Exp (Laaar Remix)
Arutani - Howling (AVEM Remix)
Malü & Kalypsoul - Unbemannt
Nikosh - It‘s Not Working
Ninze - rouge
Latteo & Nsiries - Humans (Antaares Remix)
Dolph - Delay Lama
ele & bīsu - R2D2
Jonas Fasching - E=mc2
Arutani - Self Portrait (O/Y Remix)
Feinheitsbrei - Dust
Mujia & Tajo - Fleur (Tlazohtla Remix)
Mawa - Sunev (Arutani Remix)



❖ Entronom ❖

Mafaté (Kazamayé Afro Maloya )

Buy on bandcamp

Tambour Trinité By Bongo Percu - Mafaté (Kazamayé Afro Maloya )

Etés Brulants (Instrumental  )

Buy On Bandcamp

Coconoize - Etés Brulants (Instrumental  )

The song "Worldjumper" by Jens Buchert is an electronic track characterized by the artist's signature style of ethereal synths and a steady electronic pulse. 

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