The internet's longest-running English-language Argentine football podcast, fueled by fernet since November 2010. Presented by Sam Kelly, with a rotating cast of friends.

I think it's better to dance rather than to march through life. love, yoko

The AuteurCast is a weekly podcast dedicated to filmmakers, their movies and film criticism with an emphasis on indie, foreign and art house films.

Each episode is one entry into an overall series of filmmaker retrospectives. We examine essential, important, major and minor works of interesting and pop culture filmmakers, whether that be the obscure, early works from Paul Verhoeven, World Cinema in Zhang Ke Jia or mainstream Hollywood fare of Zack Snyder. We encourage discussion, debate and dissection but overall a reverence to Cinema from around the world. We hope you enjoy our show!

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BOOKINGS ------   colonnarecords@hotmail.com
ENQUIRIES -------- colonnarecords@hotmail.com

Paul McCartney's official Soundcloud page. 

Rose Bolton, Sonic Landscapist

New album available on cassette and digital: Important Records: Cassauna
https://importantrecords.com/products/rose-bolton-the-lost-clock

https://cassauna.bandcamp.com/album/the-lost-clock

Rose Bolton is one of Canada’s most innovative and multi-faceted composers. She has been creating full-length film scores for broadcasters such as CBC, TVO, Arte and Super Channel for over a decade. She also has a thriving compositional practice creating electronic and instrumental music for innovative multimedia projects, as well as for concert performers. These concert compositions include major works such as Song of Extinction, a 45 minute work for Toronto’s Luminato festival and created in collaboration with filmmaker Marc de Guerre and Griffin Award winning poet Don McKay. Other recent concert and electronic works include a piece for the Kitchener Waterloo Symphony with ambient electronics, and a sound and video installation at the Canadian Music Centre for Toronto’s Nuit Blanche. Her concert music has been performed across Canada by Canada’s leading ensembles, including the Vancouver Symphony, the Esprit Orchestra. Rose Bolton has a Masters degree in composition from McGill University.

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

Bivouac Recording is a sound label based in Hong Kong.
Bivouac Recording是一个录音品牌且提供录音服务的公司，致力于推进独立现场录音项目。

For a richer experience of the field recordings and audio please read the descriptions for each track. 

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Thank you!

Hayday The Kid is following