Circuitery 4.0

Bleeper

Space Games

Gravitational Waves

AudioBake's Mix Drink open collab.  Amazing original track, superb stems to work with, Pure Joy to Remix.  Thank you AUDIOBAKE!
Thank you for listening!
Original Track:
https://soundcloud.com/audiobake/mixed-drink-open-for-collabs-or-remix-download-link-in-description?in=audiobake/sets/mixed-drink-collabs-and&si=eace041034ad44a89761ea3f7abbfb4d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Mix Drink Playlist:
https://soundcloud.com/audiobake/sets/mixed-drink-collabs-and?si=1ac56c08d03140f8b527e21a1dd183e8&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The PanGalactic GargleBlaster [AudioBake's Mix Drink remix]

The PanGalactic GargleBlaster [AUDIOBAKE OPEN COLLAB]

Goodbye Blue Monday

Written/Produced by: R.J. Dobben (RoTen)
Released on: 1/30/2022


-_-
_>_

andtwoand

Arranged, Produced & Engineered by Mike Luv

ML- Sequencing & Generative Patching in VCV Rack

Blissfully Unaware

v1.02 - 3/27/2022
composer: George Duke
producer: Jeff Volkman

At A Glance

Souls are hungry for a different future. Souls need a substance that no one has yet explored. Souls need sentences that no one has said yet.

I would like to thank Fiona Greasley (aka Electrometis). Her song in collaboration with Brian Butt's "Raindrops" made me compose this...

https://soundcloud.com/fiona-greasley/raindrops-feat-brian-butts?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Now one or the other may say or ask: "Huh, what do these two songs have in common?" Maybe not much, possibly. But it still inspired me, that's all 😆

Comforter Of Souls

This is a reload of 'Is...' which had permalink issues apparently... #RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using  samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling  on a Polyend Tracker.


IsSiIsSi

originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

Ice Scream

D Traction

D Traction 2.

https://kriptonia.bandcamp.com/album/kripton-a-split-vol-xiii

Gluko Lin

Es el nombre del proyecto audiovisual electrónico del artista cordobés Horacio Campestrini. Los estilos que predominan son muy variados: suena House, techno, acid y por momentos nos encontramos en ambientes totalmente minimalistas. Todos estos ritmos decoradísimos con el sonido 8bit, hace al sonido mucho más interesante, dándole alma y personalidad.
La nostalgia y la reminiscencia que el proyecto provoca es el motor del mismo. Melodías pegajosas, emotivas y desorbitadas hacen a la naturaleza lúdica de Gluko Lin.

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Audiota

Entró en el mundo de la música como baterista de Heavy, Trash y Speed Metal. Siguió su camino como Guitarrista, bajista y cantante de Punk Rock. Siempre interesado por el mundo de los sintetizadores y el diseño sonoro.
Autodidacta y obsesivo escuchador de música, para analizarla y nutrirse de ella. Ha participado en Seminarios, Becas y Workshops interiorizándose en el mundo de la Síntesis Sonora, haciendo culto de los sonidos en loop, repetitivos, llegando a estados mántricos.
Cautivado por el mundo de la música electrónica y en especial el Techno, por sus sonidos contundentes, se encontró atraído por la electrónica hecha en vivo, en formato Live set. Desde aquí, comenzó a acrecentar su arsenal de maquinaria para investigar, crear y eventualmente tocar en vivo. Hizo sus primeras presentaciones en lugares del circuito Under tanto en la costa como en Buenos Aires.
Actualmente reside en el partido de Pinamar donde se desempeña como educador en el campo de la producción musical y el diseño sonoro con distintas tecnologías.

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/////////////////////////////////////////////////////////////
Idea y producción: Kriptonîa
///////////////////////////////////////////////////////////// 
credits
released June 2, 2020

Mezcla: Gluko Lin // Audiota
Masterización: Kriptonîa // Audiota

Diseño: Pau Lee (www.instagram.com/sheispaulee/)
Kriptonîa son Ismael Verde y Santiago de la Torre.

Kriptonîa Split vol. XIII

Gluko Lin - Trapstorno

https://allbuttonsin.bandcamp.com/album/abi

Download

Obsidian Shards

Reckless

I love geeky niche things.  I highly encourage conversations to exchange musical ideas, recording techniques, and describe the artistic process.  If you feel so inclined, I warmly extend an invitation to directly message me with your work.  I absolutely love your stories and commend your contributions and creativity.  Music is a universal conduit for our thoughts and expression, all we can do is feel it, respond to it, and push it forward.  
p.s. 
Synthesizers are pretty cool

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

The PanGalactic GargleBlaster [AUDIOBAKE OPEN COLLAB]

disco vertigo

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