METALHEADZ // NARRATIVES MUSIC

http://www.metalheadz.co.uk/artists/sb81

Tempo Records was established by Dutch DJ Frodo https://www.T3MPO.com/frodo (also known as PRPLX). He has been involved in the Dutch electronic music scene since the early nineties.
Tempo Records will release on both vinyl and digital formats, and will have an openminded music policy.

Demo Policy:
send us your unsigned tracks using wetransfer.com (zip file) or send us soundcloud streaming links via e-mail frodo(@)T3MPO(.)com, but please no mp3′s or wav’s to our Tempo inbox!

Please send demos to stevedigital41@gmail.com

170 BPM electronica and beyond
podcast/community/label/blog since 2013

DSCI4 is a pioneering Techstep label, known for its dark, futuristic soundscapes.

Official Dust Audio & Turbine Music Soundcloud 

Dust Audio: Drum & Bass label  
 
Releasing Tunes by the likes of: Mikal, Friske, Gerwin, Trilo, Break, Fre4knc, Spirit, Naibu, Minor Rain, Secon, Clima, Red Army, Mindmapper, Heavy1, Slider & Expose, Ahmad, Ink, Gremlinz, Ink and more
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https://dustaudio.bandcamp.com
Label Management:
a&r / promo / press / bookings / contracts / general / demos:  
dan@createrotatemedia.co.uk

Our Subsidiary label
https://soundcloud.com/turbine-music
Turbine Music: Experimental, Electronica and Beyond

Stephen Carr a.k.a. Digital is one of the UK’s well-respected & inspirational drum and bass producers with a career spanning 20yrs plus and a seminal catalogue of original & innovative releases to date. 

His signature bass-lines & radicalized dubbed out sounds reach back to his childhood seeing his Father run his own sound-system for nearly thirty years in Ipswich, UK. The moniker ‘Digital’ was given to Steve by the Ashanti Sound system, immediately recognizing his technical ability operating a sound system at the age of 14 while also relating the moniker to the future, his youth and the emergence of the digital age. It wasn’t long before Digital used his dad's sound-system on his own, in 1991, with the ‘rave scene’ growing in & around Ipswich he started to hire-out the system to various promoters, noticeably Danny C who he befriended through their love of music and raving. This is when he really got interested in the rave scene and its music triggering his curiosity that drew his attention to production…


terminal tim is following