Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

Pre-order here: https://utahsaints.lnk.to/US24SC
UTAH SAINTS (Ministry Of Sound) (ffrr)(London Records)

Utah Saints have been making music, dj’ing and playing gigs around the globe since the birth of House music.

The world renowned duo have released 9 Top 40 UK hits, 4 of which hit the Top 10, and sold over 2 million records worldwide (equivalent to 800m+ streams).
Precariously walking the tightrope between genres and also between the underground and the mainstream, Utah Saints roots are in electronic dance music, having met in a club in Leeds at the beginning of the rave movement in the UK and establishing themselves as pioneers of sampling in dance music.
Alongside this success, they set up and promoted award winning and legendary club nights The Gallery and SugarBeatClub and have recorded and presented shows for BBC Radio 1, Kiss and Ministry of Sound. 
Utah Saints are still very much at the top of their game and are out dj’ing regularly each month as well as curating festival stages and putting on an eclectic range of nights. They have played alongside everyone from DJ Zinc to Justice, Zane Lowe to A-Trak, Friendly Fires to Boys Noize and U2 to Public Enemy. They have djed at over 3000 events, from underground clubs to festival mainstages.

When the pioneering DJs aren’t playing at clubs and festivals in various parts of the world, they can be found in the studio working hard on their own material and production as well as remixing other artists as varied as Bring Me The Horizon and Girls Aloud.  As well as running a successful record label, the duo have now added film scores, soundtracks, video game music and production music to their ever-expanding portfolio and are planning to release new music as Utah Saints.
Recent accolades include being listed in Rolling Stone in 2022 as one of the 200 Greatest Dance Songs of All Time with Something Good. 

The remix, Something Good 08, having been the10th most streamed track of 2008 has recently been awarded Gold status in the UK.

"Utah Saints - Legends in the game " - Zane Lowe - Apple Music 
“Two of the most clued up DJs I have ever met” iDJ magazine
“The first true Stadium House band” – The KLF
"These guys invented rave" - Annie Mac BBC Radio 1
“Dance legends” - NME

For Dj Bookings/Remixes  contact - Admin@PunkClubBeats.com

Dj / Music Producer

RELEASE COMPLETO  E PRINCIPAIS TRABALHOS ACESSE :  
W W W . DJROBSONVIDAL . C O M . B R

RESUMO:

Aos 13 anos começou fazendo festinhas em playgrounds de amigos até ser convidado por Paulo Lima ( proprietário da equipe turbo disco club ), para preencher uma vaga de carregador de caixa de som e iluminador. Vendo em mim o despertar e o encanto que eu tinha pela figura do Dj nas pistas de dança e pelo interesse que eu havia demonstrado, foi o primeiro a me proporcionar uma oportunidade como Dj em uma equipe tão famosa e respeitada até hoje, TURBO DISCO CLUB ( clubes Atlas e Mackenzie no Méier ). Pouco tempo depois,o mesmo também me proporcionou a oportunidade de começar a trabalhar em rádio com o convite para comandar um programa noturno de radio na TROPICAL FM 104,5 chamado "Sábado Festa". Daí em diante as portas foram se abrindo e foi convidado para trabalhar na Manhattan Disco ( uma das danceterias mais conceituadas do RJ na época ). Sempre de boné na cabeça, DJ Robson Vidal é apontado como um dos maiores nomes da noite carioca e fez fama depois de ter sido o primeiro DJ de programa de dance music no horário da tarde, com o Adrenalina na rádio Transamérica-RJ (líder de audiência na época). Trabalhou também nas rádios Tropical FM, Manchete FM, e Jovem Pan FM RJ.  Destacou-se como produtor musical e compositor de temas de sucesso como a famosa abertura do Planeta Xuxa chamada GIRO DO PLANETA ( a unica abertura do programa que virou sucesso em todas pistas de dança do Brasil ). tendo a parceria de Daniel Figueiredo e Abdullah na composição. Produziu vários remixes de sucesso, destacando-se o da musica Milk, Toast and Honey - Roxette), único remix Brasileiro aprovado pela própria banda. Além disso, no seu estúdio, produz diversos estilos musicais. Vidal fez parte como DJ durante 4 anos de um dos programas de maior audiência  da Rede Globo (Planeta XUXA), ao lado da rainha Xuxa. É responsável pela criação do estilo musical único denominado “TEKNOBEAT”, ritmo que explodiu no Brasil e também no exterior através da Teknobeat Radio Hit (rádio na internet especializada no estilo criada por ele). Seus sets são recheados de sucessos, novidades e versões exclusivas seja no Electro House ou no Teknobeat, se apresentando em diversas festas, shows e casas noturnas dentro e fora do país.

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