Management: 
hello@watsematter.com

Bookings: 
katarina@aceagency.com

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

AUDIO STREAMS

They come in 2 formats, AAC and MP3.
Each come in 4 bit rates, 256k, 128k, 64k, and 24k

VIDEO STREAMS

The main video feed/player can be found on the front page of the Dubstep.fm website. if a dj has webcams or support for video broadcasting, thats where you will be able to watch!

While archived content is on the air (or when djs dont have video support) you will find one of 4 real time audio visualizations playing on the video feed, switching every so often to another one randomly.

They come in 2 formats, HLS and FLV
All streams are HD 1280x720 H264 video and 256k AAC audio.
In addition to the web players you may use any external application that supports RTMP and/or HLS streaming such as VLC.

You can find links to all audio and video feeds using the "Tune In" menu on the top right corner of the website.

You can also find video feeds at http://www.dsfm.tv/

ARCHIVES

Every (EVERY) show you hear on the air is available for immediate download.

To download the currently playing archive simply visit:
http://www.dubstep.fm/current

To download a random archive simply visit:
http://www.dubstep.fm/random

To search for a specific archive simply visit:
http://www.dubstep.fm/archives

Direct link to the Dubstep.fm podcast feed:
http://podcast.dubstep.fm/

You can find the Dubstep.fm podcast via itunes at:

https://itunes.apple.com/us/podcast/dubstep-fm-podcast/id207981289?mt=2

I am currently in the middle of creating spectrum and waveform videos like the ones mentioned above for each archive and uploading to youtube.

http://www.youtube.com/dubstepfm

LIVE SHOWS

Want one?

You get access to all the wonderful stuff mentioned above. and so much more. a quick list is

@dubstep.fm email address
All shows are recorded by dubstep.fm (audio and/or video)
Archives can be uploaded to your personal soundcloud or youtube accounts
Live video streams can be multicasted out to youtube/twitch/ustream/etc during your show
Access to a treasure trove of tracks that have been uploaded by the public to Dubstep.fm over the last 7 years.
Hosting your archives until the internet falls apart
Free free free free free free!! dont charge a dime...
Your choice of dynamic (do shows whenever you want) or repeating show scheduling (weekly, etc)

If your up for it... 
http://www.dubstep.fm/apply

Theres plenty more to come.. currently in the works to roll out within the next few months...

TUNE ID SERVICE

Ever needed to know what that tune is called? Stop in the chat and trigger the bot to do a lookup! 
The bot will take a sample of whatever is currently playing on the air, and submit to the same services that soundhound, shazam, etc use for their tune identification.
The bot will then either give you the tune id, the closest match, or send ya packin =]

REQUEST/VOTE

Submit a request of one of your own tunes or mixes to be played on the air... 
Any source can be used.. soundcloud, mixcloud, youtube. vimeo, facebook, twitch, ustream.. (anywhere theres audio/video files available to the public)
The request will be queued up and played after the current live show or archive.
Listeners can vote (like or dis) which will determine if the mix or tune will get permanently added for playback.

The multiple Grammy-winning catalog division of Sony Music Entertainment.

Twitter / TikTok: Skrillex

F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 out now: https://skrillex.lnk.to/fus


Get more music from Skrillex
Spotify: https://skrillex.lnk.to/Spotify
Apple Music: https://skrillex.lnk.to/AppleMusic
YouTube: https://skrillex.lnk.to/YouTube

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