WAITING Music Video:  https://shorturl.at/fpDR1
HOT Music Video: https://youtu.be/QyStByTvtZ4
GOOD TIME Music Video https://youtu.be/a1g2nWr1JCk?
Get To You Music Video: https://bit.ly/2R9iZvA
Comes & Goes Music video: https://bit.ly/2RwFVUKsi=3BOly4U2UygNti7l


Email
Lafelixmusic@hotmail.com

Journeyman

https://www.instagram.com/kdalil/

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

No one knows how to push the boundaries of House music quite like Mz Worthy. With a deeply intuitive understanding of production, she’s shown reverence to the traditional form of classic House even while tripping off the mark & sinking into euphoric, less-charted territories of booty-clapping bass. Attaching “Mz” to her name, Mz Worthy marks the new era of her career. With a new relationship to DJing, she connects with her music and her audience like never before. 

Despite over two decades in the scene, she continuously felt disconnected from the world and her fans. After years of repressing feelings of gender dysphoria, Mz Worthy came out as transgender in 2020. Describing the discovery as pieces of a puzzle coming together, Mz Worthy has invited her fans to join her on her journey in finding herself. Feeling a sense of freedom like never before, she has become more expressive in her music and mixing. 

Mz Worthy is no stranger to the world of electronic music. Energized by the early American rave scene, she bounced from city to city before finally landing in San Francisco. It was here that she put down roots and established the Dirtybird party alongside Claude VonStroke & Justin & Christian Martin. She released her breakout track “Irst Te” off Dirtybird records back in 2007, followed up by bangers like “Shy Look” (2012), “Tric Trac” with Eats Everything (2011) and “Dip” (2013). 

Worthy once again proved her notoriety as a producer with her 2014 debut album, Disbehave. Released off her very own label, Anabatic Records, the critically acclaimed album defies genres and pushes the boundaries of the traditional House sound. She followed the record up with a 2-part remix album, featuring Will Clarke, Walker & Royce, Thugfucker, Stanton Warriors, and Yolanda be Cool among others. She has since released on top labels, such as Defected, Exploited, Insomniac, and Toolroom.

Having played the massive Coachella, Dirtybird Campout, Burning Man, and Ultra festivals, Mz Worthy has the insight to play for her audience every time, cultivating intense positive energy and an energetic dance floor camaraderie. She invites her audience to embrace their true selves, just as she is.

Open to showing and teaching the trans experience, Mz Worthy is a light for other LGBTQ artists. This is only the beginning for her as she reintroduces herself to the scene.

* نقدم لكم كل ماهو جديد في عالم المهرجانات الشعبية
* اشترك في القناة ليصلك كل جديد
* لديك اي اسفسار او طلب راسلنا عن رسائل القناة
* قول رأيك باحترام في التعليقات

Rap Street Band l شارع الرااب 
MR Bodda l H Tako l Adel Kasper 
We Are Rappers and Member Of RS Band
and Member Of IG Hood ( Imbaba G Hood ) 
and Member OF ( RC Family Second Generation )

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