Audio support for Kate O'Donnell's seasonal Ayurvedic cleanse. 

20 years before the emergence of STS9, NASA sent Voyager 1 and Voyager 2 on a mission to the farthest reaches of the solar system and beyond. Each of these probes was equipped with identical Golden Records, special messages attached to what Carl Sagan called “a bottle launched into the cosmic ocean.” They contained numerous images and sounds from throughout the world, pieces of music from various cultures, a map identifying the location of our planet, and other information for whomever, or whatever, might find them.

While the Golden Records included greetings in 59 languages, they made no mention of nations and borders, wars and rivalries, or anything else that divides us. What they did mention was life, love, peace, birth--the things that bind us to one another and to the planet we call home. 

The Universe Inside is a reflection of this message. It is a story about human identity and the magical truth of who we are, where we’re going, and our place in the Universe. It says we are one, made of stardust and the forces of nature that evolved over billions of years. Connected by the sun, moon and stars, we are the living, breathing conscience of the Universe. 

"We are one, made from dust of the stars / down here we bear the weight of the pain and the scars / just want to live with nothing to hide / every one of us a universe inside."

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

Goldenlight is a receiver and transmitter, a “star channel” for the higher dimensions, including the Pleiadian and Angelic Councils of light. Her mission is to bring in information from the higher frequencies and Angelic realms and to create spiritually-inspired art to assist and uplift humanity during this time of great enlightenment and transition to the higher dimensions. Her website, thegoldenlightchannel.com, brings in higher frequency information for the Golden Age upon New Earth.

Thank you to Aeoliah for Background Music ~ Angel Love by Aeoliah, www.aeoliah.com. To purchase this song or music by Aeoliah, visit https://itunes.apple.com/us/album/angel-love/id163878064?i=163878067

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

The multiple Grammy-winning catalog division of Sony Music Entertainment.

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