Producer/DJ Zach Catarelli
Denver CO USA
original songs and DJ mixes
enjoy :-)

巻いて、火をつけよう
tsundrop.wav@gmail.com

Ne.hau (Danny Marin and Renato Albieri) 

bookings: ne.hau.sound@gmail.com

SUPERFREQ + DEEPLOMATIC + LOW GROOVE RECORDS + KRAD RECORDINGS + MAVIC MUSIC + PRIROSLIN RECORDINGS + P.U.N.C.H.I.S. RECORDS + DENIED MUSIC + DRAFT LTD + VAMPIRE SPACESHIP + LOT TORONTO RECORDS + CIRCLES DIGITAL RECORDS + ONE CITY MUSIC GROUP

You’d be hard pressed to find contemporary up-and-comers who are as qualified to build on the legacy of the deep tech/minimal genre as Ne.hau. By utilizing cutting-edge production methods to take calculated creative risks, the DJ/producer duo brings unprecedented dimension to the house and techno spectrum. With a signature sound that is one of its own you can only appreciate when artists create their own original sound. 

The duo has charted in the top ten with multiple underground labels, such as, Superfreq, Priroslin recordings, Deeplomatic, Draft Lt, Denied Music, Vampire Spaceship and Still Play. 

Big rolling bass lines, galactic tones and trippy synths make up the template for the signature sound of Ne.Hau. From 2016 -2022 numerous tracks have been released helping the duo gain momentum within the deep tech circuit.  
Each of the outfit’s releases not only demonstrates keen attention to sound quality, but also speaks to a reverence for the process that could only result from genuine musical passion. In addition to crisp stereo imaging, each soundscape features organic and instrumental sounds - and fittingly, they’ve incorporated such elements into their engaging live shows as well.

Moulton Music is a collaboration of artists obsessed with both the future and past of house music.  Being run by producers and music-makers, our output is varied, ranging from deep house to soul to jackin' disco, but always with a sense of historical perspective and an ear for fine-tuned production, as well as a deep connection to the dancefloor.  We're based around San Francisco's legendary Moulton Studios, where most of the production takes place, but our friends and collaborators stretch far and wide.  

There are many people involved, but our core consists of Chris Lum and David Harness (who together form Harlum Muziq), as well as Homero Espinosa and Allen Craig (both formerly of Yerba Buena Discos), along with San Francisco cult favorite DJ's Sergio Fedasz and Ivan Ruiz, and producer and marketing guru Anish Acharya (of Dream In Audio).  Of course, we have many more friends and compatriots when you include all the people involved in our regular Molton Sessions underground house party, our various club nights, and the rest of the artists and remixers on the label, but it's that spirit of collaboration, along with our past-meets-future musical values, which defines Moulton Music.

UPDATE: GO TO  - 2025
https://soundcloud.com/nehaumusic

Denver, CO
Beatport profile:
https://www.beatport.com/artist/ne-hau/560707

Deep Sleezy minimal party tech

Ne.Hau  - ( Ren Albieri & Danny Marin )


@Circles Digital records
@P.U.N.C.H.I.S.
@Denied Music 
@stillplay
@lights out toronto records
@DRfT
Booking info: 
Djdannymarin@gmail.com
https://www.facebook.com/pages/Danny-Marin-Official-DJ-Page/164403843621868

For more tracks, check out my label Vizual on SoundCloud: http://soundcloud.com/vizual (Vizual Records) and Iz & Diz: http://soundcloud.com/izanddiz

Follow me, my label and Iz & Diz on Twitter: @joshuaiz, @vizualrecords, @izanddiz

Hey everyone...I make music because I love music and how it makes me feel. It's as simple as that. The music I create has to have feeling, and more often than not what I call 'the feeling' — that feeling that you get when the hair on the back of your neck stands up and demands your attention.

I'm heavily influenced by design and patterns. Reggae riddims are like mathematical formulas for me — the ultimate patterns waiting to be discovered. This notion of patterns can translate to any music...if you can make something with 3 or 4 elements that can capture an audience yet still be relevant generations later, you've done something amazing. 

Not all of my tracks follow that formula but I try to let the sounds and elements speak for themselves in any track.

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

Dan Wardell is following