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Cats In The Garden

J E A N S

S W 241223

Embark on a whirlwind of sonic delights with Sergio Suárez Benítez's 'Tempo Tornado,' an instrumental voyage that defies musical conventions. This album is a seamless fusion of electronic genres, a kaleidoscope of sound that takes you on a journey through the diverse landscapes of ambient, techno, and house.

The opening notes beckon you into a realm of ambient serenity, setting the stage for a musical adventure that unfolds with rhythmic precision. As the tempo builds, techno beats emerge, creating an electrifying energy that propels the listener into the heart of the 'Tempo Tornado.' House elements infuse a groove that invites movement, while trance influences add an ethereal dimension to the sonic landscape.

Dubstep echoes weave through the compositions, adding an edgy and unpredictable quality to the overall experience. Breakbeat rhythms create a dynamic ebb and flow, keeping you on the edge of anticipation. The album effortlessly transitions into downtempo melodies, providing moments of introspection and tranquility amidst the electronic storm.

Benítez's exploration of IDM and chillout genres introduces a delicate balance, revealing the artist's ability to evoke a range of emotions through instrumental expression. Acid-infused moments and synthwave vibes add a futuristic flair, creating a sonic tapestry that is both contemporary and timeless.

Glitchy textures and drumstep intricacies create an experimental undertone, adding layers of complexity to the sonic narrative. Hardcore influences surge through, injecting a surge of adrenaline that elevates the album's intensity. The electro and minimal undertones showcase meticulous attention to detail, where every sonic element contributes to the overall atmospheric experience.

Psytrance and industrial tones interweave, creating a sonic storm that captivates and immerses the listener. The bass resonates with a commanding presence, providing a solid foundation for the album's progressive and synthpop elements. Jungle beats and nu-disco aesthetics infuse a lively energy, inviting you to surrender to the rhythmic chaos of the 'Tempo Tornado.'

This album is not just a collection of tracks; it's a sonic adventure that demands to be experienced. I urge you to dive into the 'Tempo Tornado,' let the music sweep you away, and share this electrifying journey with others on social networks. Sergio Suárez Benítez has crafted a masterpiece that transcends genres and invites you to revel in the limitless possibilities of instrumental electronic music. Listen, share, and let the 'Tempo Tornado' carry you into the future of sound.

Tempo Tornado

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LISAS is a Franco-American DJ emerging from the New York techno scene whose expertise spans a multitude of roles. From working behind the scenes doing live sound for raves, as a sound engineer in recording studios  alongside artists such as David Byrne, Floating Points, Oneohtrix Point Never, and Chris Gormack, performing in the band The Rapture, to producing music for the Ayama NYFW SS24 fashion show; all while repairing vintage analog synthesizers and outboard gear- her journey is diverse and captivating.

Her transition to DJing- an evolution grounded in her extensive knowledge of sound, illuminates her live sets and mixes with sharp selections that provide a genre-defying ride innately tailored to the energy of her audience. Her unique style which she refers to as "post-apocalyptic arpeggiators meet mermaid synthesis" is a blend of techno, electro, IDM, trance among other electronic genres, that create a unique groove has earned her a coveted spot as resident of Le Bain in New York City along with gigs across top clubs and notorious underground parties in the United States and Spain.

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Oh Okay...

Three Basinscapes, a work for amplified solo banjo, meditates on the Galisteo Basin landscape and its deceptively nuanced relationship with stillness.

Recorded at the TANK Center for the Sonic Arts on Sept. 20, 2025.

J E A N S

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