Not Blood Paint is a theatrically vivid—and sonically intense—four-piece from Bushwick, formed in 2008 by guitarists George Frye and Joe Stratton, bassist Mark Jaynes and drummer Seth Miller. 

Musically, it’s a group impossible to pigeonhole, far removed from traditional verse-chorus-verse structures. The songs manifest as detailed stories that worm into the minds of always-shifting narrators. At different times, you’ll think Zappa, Ween, Primus, Gang of Four, Devo, early Genesis, Tool, Dirty Projectors. (The band itself would proffer Of Montreal. “That group inspired us in the beginning. We’d go dress up and dance our asses off when we saw them live.”)

Given their influences, it’s little surprise the band members—who all hail from the same school in Michigan—share a passion for the theatrical. From early on, Not Blood Paint shows have been purposely and aggressively different, often constructed for the venue and audience on hand. 

Costumes abound. Beguiling rituals and themes take hold--one night you may witness, say, the Renaissance-type flair of “The Aristocrats.” Another, “hypnotic owls,” or “glam rock scientists” or maybe something akin to an alien prison break. This cornucopia of on-stage choreography, dialog and make-up—connected to some fantastically elaborate songs—often extends off-stage, where whole belief systems spring up and evolve, while characters take on lives of their own—often over years of time.

Instead of being about a band, a record and a show, Not Blood Paint becomes a fusing of mythology and the real world. Ever shifting, ever changing. 


FLEUREVER
Booking Info: 
USA - cheryl.paglierani@unitedtalent.com 
Canada - Adam.Sylvester@unitedtalent.com
Europe & Asia - noah.simon@unitedtalent.com 
Press Contact - julierene@allthebestmedia.com

ANJUNADEEP // EINMUSIKA// GET PHYSICAL // 
FREUNDCHEN // D:VISION // GO DEEP

Booking contact: booking(at)freundchen.net

Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

SUPERSTAR CRAZY BABY

MISSED CALLS - OUT NOW
http://smarturl.it/BuyMissedCalls

Jonathan.azu@redlightmanagement.com  
Booking NA: joe.hadley@caa.com & ryan.thomson@caa.com 
Booking ROW: claudio.lillo@caa.com

Artist & Producer
Inquiry - yousadbruh@gmail.com
snapchat - lundbeatz

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