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violoncellos often play the same line an octave higher, or a different melodic or rhythmic part which is not a bassline when double basses are used; basso ripieno; that bass which joins in the full passages of a composition, and, by its depth of tone and energy of stroke, affords a powerul contrast to the lighter and softer passages or movements.|Basso continuo was an approach to writing music during the Baroque music era (1600-1750).}

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