Extended version of Paper Trails, Nicolas Jaar & Dave Harrington

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Darkside - Paper Trails (RA Sessions)

Remedios - Pizeta

Inspiration Track 3

Winter Rose

When the summer is fast
The bruise will be slow
That's when I fell in love
With my winter rose
And it felt just like
An angel that came
Like a magic light
Like a little flame
Signs will fall to us
When the point brakes through
There's no kindest words
Than the blistering truth
People call for love
When it's almost too much
It's the faceless shame
That you cannot touch
If you say you love me
Then I ever owe you
When you are full of bee
Then I have my eye on you
When the loving is fast
Then the bruise will be slow
That's how I fell in love
With my winter rose
And I will paint the face
To the clear back at me
I'll be lying lies
Only I can see
If you say you love me
Then I ever own you
When you are full of bee
Then I have my eye on you


The Bees – Winter Rose (Nicolas Jaar Remix) (x1.25 speed up version)

Nicolas Jaar - Encore

Produced by P.e.ø & P.ø.g
Cover by Bastien HBSN (http://bastienhebeisen.blogspot.fr/)

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P.e.ø & P.ø.g - La Femme Est À Côté De L'amour

DARKSIDE is playing LIVE at Music Hall of Williamsburg on December 1st:
TIX here: http://www.musichallofwilliamsburg.com/event/76365/

DARKSIDE - A1

Nicolas Jaar: Darkside (Ft.Dave Harrington) - A1
Label: Clown & Sunset

Nicolas Jaar: Darkside - A1 (Ft. Dave Harrington)

Azari & III - Into The Night (Nicolas Jaar Remix) [Turbo]

Nicolas Jaar   I Got a Woman

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Nicolas Jaar - Encore

Alibi