From the labyrinth beyond time and space, seeks his way out to a clearing.🎵✨🎵✨🎵✨🎵🎵✨🎵✨❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

from the labyrinth beyond time and space seeks his way out to a clearing, Who ¿

So happy that I get to find the tracks from my past profile that somehow was "deleted" and now I find again. 🙏🏼🥰😉

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

New private playlist

Extended version of Paper Trails, Nicolas Jaar & Dave Harrington

Brought to you by http://musiquedabeille.tumblr.com/

Darkside - Paper Trails (RA Sessions)

Night Drive In Moscow

Buy "Boxed Out" now! -> https://damswindle.bandcamp.com/album/boxed-out

Detroit Swindle | Boxed Out | The Debut Album

Out 24 March 2014

01 B.Y.O.
02 64 Ways feat. Mayer Hawthorne
03 Me, Myself & You
04 Thoughts of She
05 Monkey Wrench
06 Shotgun
07 Center of Gravity feat. Sandra Amarie 
08 For the Love of...
09 The Fat Rat
10 He’s Just This Guy, You Know?
11 Huh, What!
12 F6
13 You, Me, Here, Now

The Debut Album by Detroit Swindle. It has everything you would expect from the Swindles, some slow burners with a hint of disco, some deep house, some banging club monsters and hey, even some leftfield hip hop jams.

The album opens with "B.Y.O.", a track that balances nicely between the DS shuffle and an old school New York style block party. The track is a taste of things to come for the rest of the album, hinting towards a big party vibe, but mellow enough to make it a really interesting listen.

The one thing Detroit Swindle are known for best is their knack for picking the right vocals. For Boxed Out, they came up with some perfect partnerships. They recorded "64 Ways" with none other than one of America's finest soul singers: Mayer Hawthorne. Being a fan of their sound he proposed to do a track together in return for a remix on one of his album originals to be released in 2014. "64 Ways" has a lazy shuffle, a bunch of catchy rhodes chords and few well placed layers of synths that give this track a hint of "Detroit Experiment", wrapped up in an almost poppy house jam.

One of the other vocal tracks is "Thoughts of She", that effortlessly samples the voice of UK soul singer Alice Russel from the track "Pushin' on" by "The Quantic Soul Orchestra". There's also the gorgeous track "Center of Gravity" that has Berlin based, Ghanese-Canadian soul singer Sandra Amarie on vocals. It's particularly this track that reflects the true spirit of Detroit Swindle's music, a mixture of soul and UK garage meets Detroit house slowed down to a sexy groove with some of their trademark pads and stabs.

They pushed themselves to explore different tempos as well, which not only resulted on some slow house burners, but also in 2 hip hop tracks. "For the Love of..." is a homage to the old school sounds of "J. Dilla", "A tribe called Quest" and "The Pharcyde", combining off-beat shuffles, a gritty bass line and a warm cut-up soul sample. "You, Me, Here, Now" is almost a love song, disguised in a s(w)ing-a-long down tempo type of track. It's one of those "one more tune" kinda tunes.

So there's hip hop, there's soulful vocals, but It just wouldn't be a Detroit Swindle album without a few bangers on it. "Huh, What!", "Shotgun", "The Fat Rat" and "He's Just This Guy, You Know?" are all relentless dance floor monsters, pushing the tempo to match old school Chicago and New York house cuts from the late 80's and early 90's.

With these tracks "Boxed Out" has a great combination of gritty percussions, hot vocals and catchy chords and it is exactly this recipe that has become the much-loved trademark of Detroit Swindle's house universe. The album has a little bit of everything in exactly the right dose, making it both a good listen, and an extremely infectious club album.

64 Ways

64 Ways (Original Mix) [feat. Mayer Hawthorne]

ice cave 3 45 bpm 22625 take 1

Winter Rose

When the summer is fast
The bruise will be slow
That's when I fell in love
With my winter rose
And it felt just like
An angel that came
Like a magic light
Like a little flame
Signs will fall to us
When the point brakes through
There's no kindest words
Than the blistering truth
People call for love
When it's almost too much
It's the faceless shame
That you cannot touch
If you say you love me
Then I ever owe you
When you are full of bee
Then I have my eye on you
When the loving is fast
Then the bruise will be slow
That's how I fell in love
With my winter rose
And I will paint the face
To the clear back at me
I'll be lying lies
Only I can see
If you say you love me
Then I ever own you
When you are full of bee
Then I have my eye on you


The Bees – Winter Rose (Nicolas Jaar Remix) (x1.25 speed up version)

Nicolas Jaar - Encore

Dj Funkdamento - What the child needs (A Terry Ronald - Tom Moulton - Funkdamento  Re-edit)

http://www.komplexdedeep.com
https://www.facebook.com/pages/Master-H/18351831510
https://master-h.bandcamp.com

Master-H presents Alice Orpheus - My lady main

HERE:
http://www.discosoulgold.com/#!shop/c1j7i

MARC STAGGERS - BRING IT HOME TO ME [Tom Moulton Mix]

Nicolas Jaar: Darkside (Ft.Dave Harrington) - A1
Label: Clown & Sunset

Nicolas Jaar: Darkside - A1 (Ft. Dave Harrington)

Saschienne-unknown

Stavroz -  Hold On

Nicolas Jaar   I Got a Woman

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Stream

Stavroz - The Finishing

Have we got a little gift for you today!

Our fellow Belgian "Stan Lee Cole" released his album and asked us to do a remix for his hit single "Separated". Since the track is utterly beautiful (and so is the video), we just couldn't say no. "Separated" won first prize in the Prestigious International Songwrting Contest, judged by a.o. Tom Waits and Suzanne Vega.

Our version is a little sunnier than the original, creating more a feeling of hope.

It's free, enjoy it!

https://www.facebook.com/pages/Stavroz-music/150075858343647?fref=ts

Nicolas Jaar - Encore

Alibi

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