From the labyrinth beyond time and space, seeks his way out to a clearing.🎵✨🎵✨🎵✨🎵🎵✨🎵✨❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

from the labyrinth beyond time and space seeks his way out to a clearing, Who ¿

So happy that I get to find the tracks from my past profile that somehow was "deleted" and now I find again. 🙏🏼🥰😉

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

Nicolas Jaar

0:00 - love sick - bob dylan (sony)
0:25 - what my last girl put me through - nicolas jaar (unreleased)
4:22 - after laughter comes tears (nicolas jaar edit) - wendy kane (unreleased)
7:31 - materials (nico's bluewave edit) - nicolas jaar (unreleased) /> 9:48 - thief (live set edit) - the enticers (unreleased)
11:03 - meeting john coltrane - pharoah sanders
11:54 - variations - nicolas jaar (circus company)
14:48 - hage chahine (featuring willl epstein) - nicolas jaar (wolf + lamb)
17:03 - dubliners - nicolas jaar (clown & sunset)
25:35 - colomb - nicolas jaar (circus company)
28:38 - avalanche (tribute to leonard cohen) - nicolas jaar (unreleased)
31:34 - russian dolls - nicolas jaar (clown & sunset)
35:52 - encore - nicolas jaar (unreleased

OP 𓅛 mix 5 - Nicolas Jaar for xlr8r (2009)

Interpret: V/A
Titel: Stiff Little Spinners Vol. 4
VÖ: 01.11.2013
Format: Download
Label: Audiolith
Vetrieb: Finetunes

Tracklist:
01. Gimmix – Missy
02. Joney – It’s Braining Schnaps And Frogs
03. Kalipo – Perspicientia
04. Krink – Talking
05. Rampue – Una Bluna
06. Torsun Teichgräber – De Plus En Plus Fort

Info Englisch:
After three super solid and well appreciated vinyl 12“ releases which were receiving nothing but love all over the place, have been played out on heavy rotation in clubs and at festivals and surely have been essential in shaping the relatively new Deep- / Slowhouse / (Neo)Cosmic offshoot that's not filed under a genre-defining flag yet but is partly described  as consisting  of „love songs that accidentally turned into tracks“ these days this series does not need no further introduction. 

The Stiff Little Spinners brand has grown and gained recognition on the club circuit especially throughout the past twelve months and that's why we serve it's fourth issue in a special, well chosen context of joy and celebration. 

Whilst the Audiolith mothership is turning 10 years in 2013, turning it's head into the next „Ten Years From Now“ with a special anniversary sampler LP the vinyl edition of Stiff Little Spinners Volume 4 will be included as additional bonus 12“ for this sampler and is not to be sold seperately, introducing the labels more club-focused side to all its followers. 

But now we're back to the music.

Starting the musical journey with Gimmix  „Missy“ it's pretty obvious why the trademark Stiff Little Spinners-sound goes way beyond the term of Deep- or SlowHouse as the use of tender vocal samples and heartwarming melodies with an uplifting twist on top of deepest basslines sparks nothing but innocent happiness.

Stepping forward we're running into Joney – Hamburg's uber-active jack-of-all-trades who simply states „It's Braining Schnaps And Frogs“ with his excursion into stomping, sub-driven Techno House. Aware of Sheffield's Bleeps & Clonks he easily manages to keep the drums marching straight away whilst delicate strings tell a totally different tale, reminiscing about these few calm minutes before the sun sets. These opposite sides of the story easily fall into place for good, making this brain out a very special tune for special moments.

Next up is the great Kalipo with „Perspicientia“ and the Frittenbude-trained master of analogue gear surely knows what the lovers of this series call out for. This time he's on an ever evolving, innocently (Neo)Trance-induced tip, shifting through frolicking chords and organic basslines, building layers and layers of melodies, sounds and greatly processed vocal bits, slightly referring to Future Garage musically but thrilling every floor that's based on a decent four by four. Nothing but quality in here.

Stiff Little Spinners-mastermind Krink steps up to the circuit with his instant classic „Talking“ which is paying great respect to the early days of Chitown whilst keeping the sweet functionality and maximum dancefloor effect of stripped down House Music in mind. One of these rare tracks that's totally living up to the history of House in every little detail. But still „Talking“ is way more than a pure emulation of what has been once as the man they call Krink is breathing sex and soul and love and a vision with every micro-tone included in this masterpiece.

Another uncrowned master of sweetness in dance floor music is Rampue who is exploring slightly different realms here with shuffling beats, Spanish vibes and romantic Flamenco'esque guitars embedded in a synth heavy surrounding that feels no fear of vibing of on offbeat structures and Jazz standards. “Una Bluna” is crossing borders and uniting the best of both musical worlds under one roof.

Finally Torsun Teichgräber gives us some kind of French goosebumps with his “De Plus En Plus Fort” - a lovely piano-driven affair based on highly intimate, uber-fragile female vocals that slowly are sucked in to a warm Acid (Not Acid)-flavored vision of (Tech) House that's second to none these days.         

Links:
http://www.facebook.com/stifflittlespinners
http://stifflittlespinners.wordpress.com
Audiolith Webshop http://www.audiolith.net/shop/stiff-little-spinners

Kontakt:
Artur@audiolith.net Booking
Chrissie@audiolith.net Promotion
Lars@audiolith.net Label


Stiff Little Spinners, Vol. 4

iTunes

Rampue - Una Bluna

Extended version of Paper Trails, Nicolas Jaar & Dave Harrington

Brought to you by http://musiquedabeille.tumblr.com/

Darkside - Paper Trails (RA Sessions)

RA sessions - Darkside- Paper Trails (Nicolas jaar& Dave Harrington)

Let's Live For Today - Nicolas Jaar

Remedios - Pizeta

Nicolas Jaar - What My Last Girl Put Me Through Bluewave EDIT

Arunodaya (अरुणोदय)
Arunodaya means the rising of the sun. This ambient electronica piece flows with that energy through soft hangdrum rhythms, a bright morning flute, and the stillness that follows sunrise.

Let it settle in like warmth on your skin.

Arunodaya

Nicolas Jaar - Encore

http://www.komplexdedeep.com
https://www.facebook.com/pages/Master-H/18351831510
https://master-h.bandcamp.com

Master-H presents Alice Orpheus - My lady main

Azari & III - Into The Night (Nicolas Jaar Remix) [Turbo]

Bonga - mona ki ngi xica (Synapson remix)

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Nicolas Jaar - Encore

Alibi

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