From the labyrinth beyond time and space, seeks his way out to a clearing.🎵✨🎵✨🎵✨🎵🎵✨🎵✨❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

from the labyrinth beyond time and space seeks his way out to a clearing, Who ¿

So happy that I get to find the tracks from my past profile that somehow was "deleted" and now I find again. 🙏🏼🥰😉

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

Avatars

Interpret: V/A
Titel: Stiff Little Spinners Vol. 4
VÖ: 01.11.2013
Format: Download
Label: Audiolith
Vetrieb: Finetunes

Tracklist:
01. Gimmix – Missy
02. Joney – It’s Braining Schnaps And Frogs
03. Kalipo – Perspicientia
04. Krink – Talking
05. Rampue – Una Bluna
06. Torsun Teichgräber – De Plus En Plus Fort

Info Englisch:
After three super solid and well appreciated vinyl 12“ releases which were receiving nothing but love all over the place, have been played out on heavy rotation in clubs and at festivals and surely have been essential in shaping the relatively new Deep- / Slowhouse / (Neo)Cosmic offshoot that's not filed under a genre-defining flag yet but is partly described  as consisting  of „love songs that accidentally turned into tracks“ these days this series does not need no further introduction. 

The Stiff Little Spinners brand has grown and gained recognition on the club circuit especially throughout the past twelve months and that's why we serve it's fourth issue in a special, well chosen context of joy and celebration. 

Whilst the Audiolith mothership is turning 10 years in 2013, turning it's head into the next „Ten Years From Now“ with a special anniversary sampler LP the vinyl edition of Stiff Little Spinners Volume 4 will be included as additional bonus 12“ for this sampler and is not to be sold seperately, introducing the labels more club-focused side to all its followers. 

But now we're back to the music.

Starting the musical journey with Gimmix  „Missy“ it's pretty obvious why the trademark Stiff Little Spinners-sound goes way beyond the term of Deep- or SlowHouse as the use of tender vocal samples and heartwarming melodies with an uplifting twist on top of deepest basslines sparks nothing but innocent happiness.

Stepping forward we're running into Joney – Hamburg's uber-active jack-of-all-trades who simply states „It's Braining Schnaps And Frogs“ with his excursion into stomping, sub-driven Techno House. Aware of Sheffield's Bleeps & Clonks he easily manages to keep the drums marching straight away whilst delicate strings tell a totally different tale, reminiscing about these few calm minutes before the sun sets. These opposite sides of the story easily fall into place for good, making this brain out a very special tune for special moments.

Next up is the great Kalipo with „Perspicientia“ and the Frittenbude-trained master of analogue gear surely knows what the lovers of this series call out for. This time he's on an ever evolving, innocently (Neo)Trance-induced tip, shifting through frolicking chords and organic basslines, building layers and layers of melodies, sounds and greatly processed vocal bits, slightly referring to Future Garage musically but thrilling every floor that's based on a decent four by four. Nothing but quality in here.

Stiff Little Spinners-mastermind Krink steps up to the circuit with his instant classic „Talking“ which is paying great respect to the early days of Chitown whilst keeping the sweet functionality and maximum dancefloor effect of stripped down House Music in mind. One of these rare tracks that's totally living up to the history of House in every little detail. But still „Talking“ is way more than a pure emulation of what has been once as the man they call Krink is breathing sex and soul and love and a vision with every micro-tone included in this masterpiece.

Another uncrowned master of sweetness in dance floor music is Rampue who is exploring slightly different realms here with shuffling beats, Spanish vibes and romantic Flamenco'esque guitars embedded in a synth heavy surrounding that feels no fear of vibing of on offbeat structures and Jazz standards. “Una Bluna” is crossing borders and uniting the best of both musical worlds under one roof.

Finally Torsun Teichgräber gives us some kind of French goosebumps with his “De Plus En Plus Fort” - a lovely piano-driven affair based on highly intimate, uber-fragile female vocals that slowly are sucked in to a warm Acid (Not Acid)-flavored vision of (Tech) House that's second to none these days.         

Links:
http://www.facebook.com/stifflittlespinners
http://stifflittlespinners.wordpress.com
Audiolith Webshop http://www.audiolith.net/shop/stiff-little-spinners

Kontakt:
Artur@audiolith.net Booking
Chrissie@audiolith.net Promotion
Lars@audiolith.net Label


Stiff Little Spinners, Vol. 4

iTunes

Rampue - Una Bluna

RA sessions - Darkside- Paper Trails (Nicolas jaar& Dave Harrington)

Let's Live For Today - Nicolas Jaar

The original ‘The Death Of Rave’ project releases in 2006 was vast, over two-hundred flashbacks, using all of the dance floor hits from the time and stripping them of energy and spirit, turning them into shadows and ghosts. The material pre-dates the recent obsession younger musicians have for re-creating remembered rave textures and memories. This was not nostalgia, It was an inverted paean to a time when the music was about bringing people together for a shared experience. A time when only the music, advancement of sound and getting on one mattered. 

01 - Monroes Stockport

An exclusive track premiere from Amsterdam's new talent Mees Dierdorp's forthcoming Aviar Alom EP (13-10) on Eskimo Recordings, 'Las Parañas.' http://goo.gl/HR7K9S

Out now!
Beatport http://bit.ly/AviarAlom
iTunes http://bit.ly/iAviarAlom

Find out more about Mees Dierdorp:
https://soundcloud.com/meesdierdorp
Find out more about Eskimo Recordings:
https://soundcloud.com/eskimorecordings



Premiere: Mees Dierdorp - Las Parañas

flowing v1 40 bpm

Nicolas Jaar - Encore

Kicking off a new limited series on Circus Company, we return to JAW's solo project Midtown, which was released in 2014. Amongst the 19 collaborative tracks that saw the dOP vocalist sparring with musicians from all over the world, there was a spellbinding song written in conjunction with British singer-songwriter Piers Faccini.
“Traitor Creator” is a haunting track very much led by Faccini’s fragile vocal, with JAW laying down a subtle undercurrent of harmony. Meanwhile the delicate guitar tone and sparse percussion that shape out the song all lend themselves to a mournful, existential message. Even in the climax of the track, with its fractured guitar distortion, the Eastern lilt of the melody dictates a mystical atmosphere.
To frame the original track in a new light we called upon Nôze to deliver a remix. The pensive mood is maintained through a brooding low-end pulse, but the vocals are mixed to further accent the interplay between the two distinct singers. Using a stripped-back beat and threading in choice slices of the guitar alongside light touches of synth, Nico and Eze draw on the fundamental spirit of the track and take it to a new, equally captivating place.
Of all the tracks on Midtown, “Traitor Creator” was perhaps not the obvious choice for a club-friendly remix, but in such unlikely situations can some of the most captivating results be found.

Traitor Creator (Nôze Remix)

Piers Faccini & JAW - Traitor Creator (Nôze Remix)

Original version on the album Morning/Evening released on Text Records in 2015.

Evening Side (Oneohtrix Point Never edit)

Der Dritte Raum - Swing Bop [Acid Pauli Remix]

Stavroz -  Hold On

Nicolas Jaar   I Got a Woman

HEROIN IN TAHITI - Black Vacation
"At the Edge of the Jungle", track from the upcoming split LP: 
ENSEMBLE ECONOMIQUE / HEROIN IN TAHITI
out SOON on NO=FI Recordings / Sound Of Cobra





HEROIN IN TAHITI - At the Edge of the Jungle

The Caretaker conjures a quieter, more introspective spirit, lost in his own mind amidst a low-lit labyrinth of ever-decaying and antediluvian shellac phrases. Sourced from a mysterious collection of 78s, these vague snippets of archaic sonics reflect the ability of Alzheimers patients to recall the songs of their past, and with them recollections of places, people, moods and sensations.

01 - All you are going to want to do is get back there

Commodo is back with ‘Stakeout’ EP — Vinyl/DL/Stream https://fanlink.to/Stakeout

‘Stakeout’ picks up where ‘Loan Shark’ left off, tapping back into the conceptual, crime-ridden Wild West first imagined across tracks like ‘Contraband’ and ‘Hot Pursuit’; “If anyone is working on a 22nd century film noir at the moment, this would make the perfect soundtrack” wrote Bandcamp back in June.

This sentiment echoes across the ‘Stakeout’ tracklist, which again details tracks that marry precision bass-weight and deft, nimble sampling techniques with nuanced flashes of genius; Commodo is no ordinary producer. From the swirling unease and sharp crackle of the title-track to the oddball, industrial swing of ‘Transit’ and menacing, Batman-style lurch of EP closer ‘Crooked’ Law’, ‘Stakeout’ forms the fascinating concluding chapter of Commodo’s latest Black Acre odyssey.

Stakeout

Commodo - Stakeout

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Nicolas Jaar - Encore

Alibi

Recent comments

User 315927773

Essam Azzam - عصام عزام

gabyosoriog

Nathalie Knox

Related tracks