this time.

Shows_
07.03.2020 Gaiser Live - Viertel Klub, Basel
08.02.2020 Live is Live - Fridas Büxe, Zürich
23.12.2019 Instant Rave XXL - Viertel Klub, Basel
31.08.2019 Sundaze Festival - Arisdorf
16.08.2019 Saint Gall Electrise - Ostklang, SG
22.06.2019 Hoppla Festival - Holzpark Klybeck
08.06.2019 Butch - Nordstern, Basel
04.05.2019 Rave on Rhein - Ueli Fähri, Basel
13.04.2019 Sascha Braemer - Viertel Klub, Basel
10.03.2019 Instant Rave XXL - Viertel Klub, Basel
23.02.2019 Ostklang - Bohl 9, St. Gallen
19.01.2019 30yrs Y - K&G, Basel
29.12.2018 RK Tanzstube - Hive, Zürich
21.12.2018 20 Years Ragaz - Borderline, Basel
08.12.2018 Live is Live - Friedas Büxe, Zürich
10.11.2018 Trentemøller - Viertel Klub, Basel
12.10.2018 Liebreiz - Tante Pinte, Sissach
06.10.2018 Locals - Club Schlaflos, Aarau
29.09.2018 PFUDORD - Secret Location, Basel
08.09.2018 Secret Location, Basel
31.08.2018 Hinterland  - Kaschemme, Basel
25.08.2018 Capitans Rave - Fougerette, Etang
31.07.2018 Tension Festival - Viertel Klub, Basel
07.07.2018 Release Party - Kaschemme, Basel
12.05.2018 V_ mit N'TO - Viertel Klub, Basel
28.04.2018 Livestream - fb.com/348.fm, Basel
19.04.2018 Donnerstakt - Viertel Klub, Basel
05.04.2018 Mauerwerk - Basel
31.03.2018 Austrinken - Nest, Basel
17.03.2018 Sisyphon Night - Viertel Klub, Basel
24.02.2018 As Usual - Crack Bellmer, Berlin
23.12.2017 Regio Rave - Vario Bar, Olten
01.12.2017 V_ mit Kölsch - Das Viertel, Basel
28.10.2017 Tanz in den Herbst - WG, Zofingen
29.09.2017 BaziD & Schallbox  - Tante Pinte, Basel
16.09.2017 Frolic w Brodinski - Viertel Klub, Basel
26.08.2017 Hafentanz - Plattform, Basel
22.07.2017 Tension PreParty - Viertel Klub, Basel
24.06.2017 Hafentanz - Openair, Basel
13.05.2017 Home sweet Home - Private, Basel
15.04.2017 HFNTNZ Afterparty - Nest, Basel

Booking contact and info:
rohrerstohler@protonmail.com

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

The Strypes are 4-piece rhythm and blues band hailing from Cavan, Ireland, formed in 2011 by Ross Farrelly (lead vocals/harmonica), Josh McClorey (lead guitar/vocals), Pete O'Hanlon (bass guitar/harmonica) and Evan Walsh (drums).

The group has spent the past 18 months launching their explosive R&B assault on the clubs and festivals of Ireland, the UK and Europe, viciously hammering out a no-nonsense blues repertoire drawing from the songbooks of Chuck Berry, Bo Diddley, Howlin' Wolf, Little Walter, Slim Harpo and more with the passion and venom of British blues groups such as Dr. Feelgood, The Yardbirds, The Rolling Stones and The Animals. 

Having already been met with critical acclaim from greats such as Jeff Beck and Paul Weller and been tipped by NME as the No. 1 new band to watch, it seems things can only get better for The Strypes.

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