Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Mummy of @spectrumwavesparis 🏳️‍🌈🏳️‍⚧️
Berlin | Paris

Bookings: tim@outlined-am.com
Promos: leaocchi@gmail.com

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

French Techno Artist

Owner of @InsolentRaveRecords

Booking/Management : Vesuve Agency
info@vesuveagency.com

Demo : DM on Soundcloud

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Hapësira is a team of earnest individuals with diverse experiences who believe in the advancement of the society through culture, education, art and music by sharing mutual cultural values rooted in the collaboration of open minded individuals with the aim of shaping contemporary Kosovo through cultural movements and events.


International Acts surfaced at Hapësira events:

ABDULLA RASHIM, ACRONYM, ALEX.DO, ALFREDO MAZZILLI, ANTHONY ROTHER, ANCIENT METHODS, ANETHA, ANASTASIA KRISTENSEN, ANSWER CODE REQUEST, AURORA HALAL, AERA, ARTEFAKT, AWB, BLAWAN, BLAZEJ MALINOWSKI, BLOND:ISH, CLAUDIO PRC, CRAIGIE KNOWES, DANIEL AVERY, DASHA RUSH, DANIELLE, DJ DASCO, DANIELA LA LUZ, DVS1, EFDEMIN, ETAPP KYLE, ELLI ACULLA, EVIGT MÖRKER, GIEGLING COLLECTIVE, GIORGIO GIGLI, HUNTER/GAME, JAMES ZABIELA, KEITH CARNAL, KORRIDOR, LUCY, LUIGI TOZZI, LUX, MARCO SHUTTLE, MATISA, MANKIND, MOR ELIAN, NENE H, NEEL, NTHNG, NESS, NIKK, LAKE PEOPLE, PETER VAN HOESEN, PISETZKY, PAULA KOSKI, RROSE, SHIFTED, SHLØMO, SIGHA, STENNY, SOMNE, SHDW & OBSCURE SHAPE, SHTEPHANIE SYKES, TIN MAN, TOBIAS., UMWELT, VARG, VRIL, VOISKI

Contact: info@hapesira.space

spotify : https://spoti.fi/3krscPj

promo : promo@undercatt.com

booking requests: jonathan@jackmode.com

mgmt : L@L-MGT.COM

organic/deep/tech house vibes straight from the playa to your heart <3

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