With themes of family, resilience, and unity woven into their music, The Green has cultivated a devoted global fanbase. Classics like "All I Need," "Love I," and "Wake Up" continue to resonate with long-time listeners, while collaborations with artists such as J Boog on tracks like "Feelings," "Never Give Up," and "Fire up Di Roses" draw in new audiences. Their recent single,Day by Day, featuring fellow Hawaii artist Kolohe Kai, celebrates the Aloha spirit and furthers their mission of spreading positivity.  

Currently, The Green is taking a step back from touring to focus on two meaningful ventures: their brick-and-mortar establishment, The Green General, and their nonprofit organization, Ka Ma’o. Located on the beautiful island of Kaua’i, The Green General offers ono shaved ice, local snacks, and exclusive merchandise, serving as the only physical location for fans to purchase The Green’s merch. Ka Ma’o, a lifelong dream come true for the band, is dedicated to giving back by mentoring aspiring musicians and sharing the lessons they’ve learned on their journey.  

The Green continues to inspire, connecting fans worldwide to the essence of Hawaiian reggae and the enduring spirit of Aloha.

Oxygen (Dance Remix) with Dave Audé - OUT NOW
https://found.ee/oxygendanceremix

"ALIVE" Deluxe out now! https://foundation-media.ffm.to/alivedeluxe

Alumni Clothing: www.Tha-Alumni.com

Concerts: www.bandsintown.com/KidInk

In The Lonely Hour (10th Anniversary Edition) out now 🤍
https://samsmith.world/itlh10

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

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