Mgmt/Licensing Inquiries: Keith@redlightmanagement.com

Booking US: jmoss@paradigmagency.com / j.kupperman@paradigmagency.com
Booking EU: guillaume@atc-live.com

PR: agreenberg@falconpublicity.com

Born and raised in Massachusetts and have lived in North Carolina since 2007 . I stopped listening to the radio about the same time. I really hated what I was hearing, so I started writing. I really got into it, I've always loved hip hop I write every day and constantly immerse myself in new and old hip hop. I just love it, and I'm tryna share that. Mad props to light foot beats, thought notes, the faces blur, Ben green, Stanton McBride, Will Clinton and whoever else wants to get me on a track.

Grammy-nominated Andy Moor is an icon in the electronic dance music industry. Undeniably one of the most respected producers in the genre whose substantial talents and work ethos have earned him a catalogue of accolades. Recently nominated for the 2009 DJ Awards, Andy is currently rapidly scaling the DJ Mag’s Top 100 @ 15th. Named Best Trance Producer and Best Trance Track at the 2004 Trance Awards, Best Dance Record at the 2006 International Dance Music Awards, Andy received his Grammy nod with a magical remix of Delerium-Angelicus in 2008.

Despite his impressive fan base, Andy remains humble and serious about his craft. His producing and remixing magic has already set fire to the work of celestial artists Britney Spears, Avril Lavigne, Paul Oakenfold, Brian Eno, Tiesto, Arthur Baker and Nadia Ali, to name but a few. This follows enthusiastic acclaim for his albums Explorer with Tilt, and Common Ground with Leama & Moor and the highly anticipated artist album due for release in early ‘10.

Andy Moor’s last remix, Nadia Ali – Love Story soared to the climatic #1 spot on Billboard Breakout Chart, the Billboard Dance Chart and Beatport Trance. Not to be outshone, this summer’s collaborations with Ashley Wallbridge on Faces and Stadium Four with Lange are receiving the highest possible acclaim and support from the industry. Up next is the highly anticipated follow up Delerium remix, released on the self-titled album early 2010. A new mix compilation series, Breaking the Silence has just been released on his own record label AVA recordings, capped by a world tour. AVA recordings has gone from strength to strength, beginning life in 2006 to become one of the leading labels in the scene today..

A landmark on the tour scene, Andy mesmerizes clamoring EDM fans with his technical ability, turntable skills and creativity. Mixing with a white-hot sense and individual style, it’s not difficult to understand why Moor’s talent is so much in demand. Moor Music Podcast, Andy’s iTunes-available radio show, defines the essence of EDM with a cult following responsible for more than 150,000 downloads per episode.

Moor began his journey at an early age. At five he mastered his first piano piece. Six additional musical instruments by the age of eleven, he later spun his first record at the age of thirteen. Twenty-one saw him dominating stages the world over and now at the experienced age of twenty-nine, he is considered a veteran in the industry. Humility and raw talent have proven an undeniable attraction to fans and novices alike. His work is identifiable and his ethic authentic. Andy Moor’s future is definitively unlimited.

https://soundcloud.com/atomathome
https://soundcloud.com/greem
https://soundcloud.com/dj-pfel
https://soundcloud.com/20syl

The four DJs’ dedication to their art has led them to make a clean sweep of the DMC World Champion title for four years in the row (2003 - 2006).

C2C consists of 20syl and Greem (from Hocus Pocus) and Pfel and Atom (from BeatTorrent). 

After a decade of teamwork, they dropped their debut EP, Down the Road in 2012. The success of this first project provided a strong foot forward for the anticipated release of their groundbreaking album Tetra the same year.

Critically acclaimed, the record was rewarded four “Victoire de la Musique” (French Grammys) and a Double Platinium Record. 

Features’ enthusiast, C2C has invited several artists on record (Gush, Jay Jay Johansson...) and has shared the stage with major acts such as French poly instrumentalist -M-, while working on iconic remixes (Bernhoft, Vitalic etc.).

Their original music videos F.U.Y.A. and Delta showcases C2C’s neat and eccentric visual esthetic. 

On stage, C2C’s impressive scenography discloses the band’s love for graphic design and visual arts. Their flawless identity and their original sound catapulted the quartet from European’s biggest stages to the Coachella music festival.

Savant mix of Hip Hop and electronic C2C’s has shaken the music landscape and has turned turntabilsm into a pop culture phenomenon. 

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.

Kaminanda's sound is Midtempo grooves, tribal rhythms, Psy-Dub and downtempo. A kaleidoscope of warm melodies and twisting, winding compositions. 

@spicetradersmusic
@elvenartifakt
@luminous-manuscriptz
https://soundcloud.com/mykorhizamusic

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