MIXTAPE

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Charlie Winston Like a Habo

So, here is my favorites songs  aaaaand first one is THE BEEEEST song EVER " Brigde by Indian Bears" make me smile! love love love xxx (last one is the second beeeeeeeeeeeeeeeeest song ever "Again and Again" by Sky Dreamers


Something news

The biggest set of indie music. 
It's too important to like and repost, thank you!

indie ♥

Playlist 2/20/13

Kombucha

Alejandra Fierro

Good Music - Indie

Music

Grouplove

Grouplove - Colours

Billy Talent III

Saint Veronika

Mumford & Sons- The Cave

The Cave [Mumford and Sons Cover - Radio 1 Live Lounge]

Di mo lang alam
Naiiisip kita
Baka sakali lang maisip mo ako
Di mo lang alam
Hanggang sa gabi inaasam makita kang muli

Nagtapos ang lahat sa di inaasahang pahanon
At ngayon ako'y iyong iniwan
Luhaan, sugatan, 'di mapakinabangan
Sana'y nagtanong ka lang
Kung 'di mo lang alam
Sana'y nagtanong ka lang
Kung 'di mo lang alam

Ako'y iyong nasaktan
Baka sakali lang maisip mo naman
Hindi mo lang alam
Kay tagal na panahon
Ako'y nandirito pa rin hanggang ngayon para sa'yo

Lumipas mga araw na ubod ng saya
'Di pa rin nagbabago ang aking pagsinta
Kung ako'y nagkasala patawad na sana
Puso kong pagal ngayon lang nagmahal

'Di mo lang alam
Ako'y iyong nasaktan
Baka sakali lang maisip mo naman
Puro s'ya na lang
Sana'y ako naman
'Di mo lang alam
Ika'y minamasdan
Sana'y iyong mamalayang hindi mo lang pala alam

'Di mo lang alam
Kahit tayo'y magkaibigan lang
Bumabalik ang lahat sa tuwing nagkukulitan
Baka sakali lang maisip mo naman
Ako'y nandito lang
Hindi mo lang alam
Matalino ka naman

Kung ikaw at ako
Ay tunay na bigo sa laro na ito
Ay dapat bang sumuko
Sana hindi ka na lang pala aking nakilala
Kung alam ko lang ako'y masasaktan ng ganito
Sana'y nakinig na lang ako sa nanay ko

'Di mo lang alam
Ako'y iyong nasaktan
Baka sakali lang maisip mo naman
Puro s'ya na lang
Sana'y ako naman
'Di mo lang alam
O, ika'y minamasdan
Sana iyo'y mamalayang hindi mo lang pala alam
Oooooooo

Malas mo
Ikaw ang natipuhan ko
Di mo lang alam
Ako'y iyong nasaktan


i really like this song cause i remember that past  :( :P

Oo - Up Dharma Down

Shayfer James - Smile (Charlie Chaplin Nat King Cole Cover)

Debut single from Future Classic's new band signing New Navy.



New Navy - Zimbabwe

Featuring new tracks from The String Cheese Incident, Keller Williams, Lotus, Younger Brother, Emmitt-Nershi Band and EOTO!

The Surf - Lotus

08 I heart sharks - suburbia

Remix by Beck
Keyboard &amp; Piano: Beck
Beat: Cole MGN
Additional engineering: Cassidy Turbin

How Come You Never Go There

How Come You Never Go There (Beck Remix)

Diana Krall - Fly me to the moon

 Arts & Crafts has just released a double A-side Gold & Youth single featuring their first single "Time To Kill" and a new track "City Of Quartz" 

Time To Kill

İndirilebilir olmasıyla ayrı bir güzellik kazanan liste. 

Charlie Winston- Like A Hobo

Dead Silence

Viking Death March

The song "Little Numbers" is the first single of the german duo BOY by Valeska Steiner & Sonja Glass. You can find the song on their Debut Album "Mutual Friends" which was released on Grönland Records in 2011.

Video: http://youtu.be/zsyjS_vJfkw

Homepage : http://www.listentoboy.com/

BOY on grönland.com : http://groenland.com/en/artist/listentoboy/

BOY - LITTLE NUMBERS

'Nocturne' will be out August 28th in North America on Captured Tracks.

Wild Nothing // Paradise

The Sound Of The Smiths [Deluxe Edition]

The Smiths - Asleep

Free download of Tessellate we recorded at SARM Studios in July


An Awesome Wave

Tessellate (SARM Acoustic Version)

Buy An Awesome Wave

Surprise Surprise

Mumford & Sons - I Will Wait

Mixed by Ash Workman (Metronomy/Summer Camp/Klaxons) at The Premises Studios, London, November 2012. Mastered by Matt Colton at Alchemy.

Mitzi's debut album 'Truly Alive' will be released on Feb 19, 2013 in North America via Future Classic.

www.facebook.com/mitziband
www.hellomitzi.com
www.facebook.com/futureclassic
www.futureclassic.com.au

Management: nathan@futureclassic.com.au
Press: matthew@terrorbird.com
Bookings UK/Euro: ali@elasticartists.net

Meet The Band

All I Heard

Bridge

Ooooh I do love a cover...and I do ever so love Blondie...here's what I've been busy doing this week...I do hope you like it...

Olivia Broadfield - Call Me

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Charlie Winston- Like A Hobo

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