Laytonardo is where architecture meets rhythm—an alias born from the same mind behind intricate design and sculptural forms. As both a DJ and producer, he crafts original tracks and remixes that blur the line between structure and spontaneity. His sound draws heavily from tech house and afrohouse, layered with global textures and genre-bending influences. Whether behind the decks or in the studio, every beat is built with intention—designed to stand apart and leave a lasting impression.

For booking or collaborations, message directly here on SoundCloud.

The Artist formerly known as BDR / Merv Mariachi

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Mayan Warrior is the result of a collaborative project that has united artists, craftsmen, photographers, designers, technologists, architects and musicians from Mexico City and Northern California. 

The project’s original intent was to present to the world the incredible ascent of contemporary Mexican electronic music while paying respect to the deep and ancient sources from which that visual and auditory culture had grown.


Both light and sound are curated by some of the world’s most prominent artists to transport participants to the very origins of the culture – and to a new understanding of contemporary electronic expression.

AND YES: Mayan Warrior is driven from Mexico City to the playa – and back – each year. It's a labor of love and we're glad so many people enjoy it.

Founder/Artist
Pablo Gonzalez Vargas

Line-up and Music Curation
Rebolledo
Rodrigo Madrazo

Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages, offering a new perspective on the cultural and natural legacy of our world.

hello@cercle.io

music elevates

bookings -  write.meganking@gmail.com

adamfreeland.bandcamp.com

Booking : caroline.diep@redlightmanagement.com

Please send promos to Adamfreelandpromo@gmail.com

Bookings: Gunita@Listedbookings.com
www.instagram.com/holmarmusik
https://bio.site/acidtourist

Label: 
www.soundcloud.com/acidtourism
www.instagram.com/acid.tourism

Legend has it that Hólmar was born during the dawn of winter solstice, way up in the highlands of Iceland, to one of it’s oldest and most secret “Hidden People” communes.  Sadly his elvish mother passed from complications during birth, and one fateful night not long after,  he was found by his human adoptive parents on their doorstep. They were sheep farmers in the valley below and in a letter they found by his side, they were promised the protection of their flock in exchange for raising him as their own. Knowing the many tales of wrath inflicted on villagers not complying with their highland neighbors, they took him in straight away and Hólmar spent his formative years on their quaint farm. 

His mother, an avid swimmer, would bring him to the cold mountain lakes during the summer months and teach him all there was to know about being the best there was in the water. It was during one of these lessons, he was discovered by the national synchronized swimming coach, who by chance was hiking in the area. Enamored by Hólmar’s raw talent, he negotiated his move from the tranquil countryside to the nations capital, Reykjavik City. There he began his training and quickly became an integral member of the Icelandic squad. It was during the course of his training for the Olympics in Seoul, that he suffered a serious injury which ended his professional swimming career abruptly. Fortunately, he was able to continue his passion for synchronized group movements above water and formed a dance troupe called the “Black Widows”.  He traveled with them all over Scandinavia winning multiple competitions and dance off’s.

Throughout his time with the “Widows" he discovered his passion for music while putting together playlists for their shows. Eventually he was asked to perform these playlists "live" at parties all over Reykjavik's then bustling underground scene. After many late night gigs, not showing up to practice and seriously messing up some of their shows, he was promptly ousted from the troupe. This was a devastating moment for Holmar and after a great deal of soul searching, he moved to New York.  

There he hit the ground running and started throwing rollicking parties all over the Big Apple. He formed the infamous Crack & Speed Records with his good Parisian friend Jef-k. On C&S he debuted his music as a part of the “super” group Mr. Negative & The Spencer Filipsson Experience.

During one of Holmar’s parties at a former brothel on the Lower East Side, he met Greg Oreck and shortly thereafter founded “Thugfucker”. After working together for a few years, during one hot summer night in Hólmar’s studio in Williamsburg, they created “Disco Gnome”. This record ended up being the first release on Life and Death Records and launched them into the international scene along with Tale of Us and Dj Tennis. He spent next years touring with Greg and fellow mates at Life and Death causing general mayhem and good times at clubs and festivals all around the globe. 

In 2011 he went to Burning Man for the first time, a pivotal moment for him, and now he can be found every year, riding his bike around and playing many marathon sets all week long. 

In recent years in addition to his work with "Thugfucker" he has started new collaborations. He co-founded “Lovestruckk” with Nico Stojan, “Theory of Light” with Brian Cid, “The Birds Fly South” with Maxxi Soundsystem and his first release in 2018 will be an E.P with L.A’s Jon Charnis.  He is also a part of a new dj collective the infamous "Twisted Sisterz".

In 2018 we will see his departure from “Thugfucker",  launching his solo career.

He has now brought his dancing shoes back out of retirement and has staged new impromptu of dance performances of the "Black Widows" on and off stage during his shows, staying true to his choreography roots.

Circoloco Records \ Defected \ Nervous \ Cuttin' Headz \ MOTRAXX \ DOGGHAÜZ 

Rising up out of Brazil’s hotbed of formidable talent, Mochakk (AKA Pedro Maia) embodies a level of passion and drive that has placed him in a league of his own. His insatiable hunger for knowledge means he has a broad palette to draw from, channelling his deep well of influences into his vibrant creative output. As anyone who has witnessed him in action will attest, Pedro wears his heart on his sleeve, often expressing his honest love for music in an endearingly physical manner. His skills as a selector have led to bookings at globally renowned clubs, including a residency at the iconic DC-10, while his productions encapsulate his diverse sonic identity. A natural born entertainer, who regularly devours music, history and cultural information by the truckload, Mochakk is a unique artist whose energy and enthusiasm are contagious.

Mochakk’s achievements in 2023 alone demonstrate how influential and respected he has become, with his online fanbase growing to over 3.5 million followers across his socials. He sold out a 5,000-capacity show for leading broadcaster Cercle at the Plaza de España in Seville (the set has almost 4 million views), played over 160 shows in 29 countries, and joined the family at DC-10 as a resident. On that note, Mochakk also released the huge single ‘Jealous’ with Circoloco Records, alongside his killer remixes of Groove Armada’s ‘Superstylin’’ and Diplo’s ‘Express Yourself’. 2023 also saw the launch of his Tricks And Tracks event series, merging his love of skateboarding with electronic music for a unique party. Elsewhere, his Mochakk Calling events have sold out at every worldwide location so far. At the end of 2023 he was named by both Amazon Music and Spotify Mint as Artist to Watch in 2024, wrapping up a hugely successful 2023 with the promise of an even bigger year ahead...

@dogghauzrecords

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