interplanetarycriminal@gmail.com

Co-Founder https://soundcloud.com/atwrec

3rd Wednesday of the month 20:00 - 22:00 GMT on https://soundcloud.com/rinsefm

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

perty☟
UK / EU:
shogan@wmeagency.com
jdooling@wmeagency.com

NORTH / SOUTH AMERICA: 
bowen@teamwass.com

bio:
Ewan McVicar is doing things differently. He’s not following any existing blueprints, nor is he adding a filter to what you see. As a result, DJ Mag’s recently crowned Best British DJ is taking the electronic scene by storm. If you combine the spirit and ethos of the rave generation with a forward-thinking approach to music, vivacious energy and drive to push things in the right direction, you end up with McVicar. 

While his journey may have started in Ayr, Ewan McVicar’s path has shown he doesn't intend to rest until he's left his mark in every corner of the globe. That formative period in his humble Scottish hometown is the bedrock for his success today and after years of honing his craft across hip hop and commercial-leaning sounds in clubs that didn't quite fit his direction, he launched his own enterprise. TEN, the club night that started it all, was the introduction to underground music that he and his town so desperately needed. 

It wasn't just McVicar's hunger for something with a bit more bite that was satisfied once TEN was established, it was a huge success within the town and beyond. A new movement had picked up steam.

His unwavering dedication to pushing a sound that’s intrinsically his own had paid off and after a string of releases via Trick, 'Tell Me Something Good' became a runaway success, all over the planet. The platinum-selling single catapulted Ewan into the public eye and since then, he's not left it, not even for a second. His trajectory has been skyward but crucially, it's been on his terms. 

Musically he's made sure that he's stood firm on his commitment to the underground with releases via Heras Records, Optimo Music, Unknown To The Unknown, Shall Not Fade, Nervous and perhaps most notably Ninja Tune's singles imprint Technicolour, where 'Heather Park' found its home. The track acted as a platform for Ewan to recognise and celebrate his origins while facing forward with his sound. With that, the ode to his former home is one of his most beloved productions to date.

Remixes for The Chemical Brothers, Groove Armada and Totally Enormous Extinct Dinosaurs further cement his demand as a technically proficient producer and one that can create music for the main stage as well as sweat-soaked basements. Throw singles like 'Groove Thang' into the mix, alongside hyped collaborations with producers like Kettama, and what you have is an artist who's able to straddle both sides of the fence with ease, a rare feat in today's publishing landscape. 

Ewan's popularity as a selector and performer is arguably the strongest part of his arsenal and with one of the most engaged and active fanbases in the world, his sell-out shows prove to be one of the biggest draws in dance music. 

His sets at Creamfields in the Steelyard have become the stuff of legend, and they showcase his technical ability and prowess performing to crowds upwards of 30,000. His curated club brand 'Handpicked' is a no nonsense night that gives the truest insight into the brain of the clued-up Scotsman and he's welcomed acts like Kerri Chandler, Optimo, Stevie Cox and frequent b2b partner Special Request to play, perfectly surmising his musical tastes.  

Taking curation one step further, 2023 saw the inaugural edition of his beloved Pavilion Festival, Ewan's own festival located in the heart of Ayr on the Low Green, a location that he unsurprisingly holds dearly, in a community that he's now able to lovingly give back.

There are a whole host of new musical projects in the works and most importantly, an album is coming. One that he's been working on tirelessly in the background of his relentless gig schedule and release calendar, one that's set to tell the story of how an ambitious boy from Ayr decided to take over the world and how he's only just getting started.

MGMT sasha@foreignecho.com & barna@foreignecho.com
AUS/NZ info@foreignecho.com
UK/EU ollie.seaman@teamwass.com
The AMERICAS max.braun@teamwass.com & lchenfeld@teamwass.com

‘IDFC (Remix)’ 𝐎𝐔𝐓 𝐍𝐎𝐖! 🌹

https://cygnusmusic.link/qv4qjby

📷 : https://www.instagram.com/datskoooo/
Bookings: rebootagencybookings@gmail.com

🦋 Yup Galway 🦋

Demo/Promo: https://tstack.app/funk-tribu

G-TOWN 

management: 
jarred@overcastmgmt.com

worldwide bookings:
jim.oregan@teamwass.com

north & south americas:
bshprits@teamwass.com 
nsokolski@teamwass.com

BOOKING/ENQUIRIES-
saasymgmt@gmail.com

GALWAY, IE 



Up The Stuss — a record label owned by Chris Stussy.

utshp02 - Lewis Taylor - lnk.to/UTSHP02
uts26 - Anil Aras - lnk.to/UTS26
uts25 - Across Boundaries - lnk.to/UTS25
utsoff03 - S.A.M. - lnk.to/UTSOFF03 
uts24 - Hidde van Wee - lnk.to/UTS24
uts23 - Locklead - lnk.to/UTS23
uts22 - Burnski & Kepler - lnk.to/UTS22
uts21 - Chris Stussy - lnk.to/UTS21
utshp01 - Pedro Borlado - lnk.to/utshp01
uts20 - Gaskin - lnk.to/UTS20
uts19 - S.A.M. - lnk.to/UTS19
uts18 - Across Boundaries - https://lnk.to/UTS18
uts17 - KOLTER - https://lnk.to/UTS17
uts16 - Lee Burton - https://lnk.to/UTS16
uts15 - Varhat - https://lnk.to/UTS15
uts14 - Jhobei - https://lnk.to/UTS14
uts13 - Across Boundaries - https://lnk.to/UTS13
utsoff01 - Chris Stussy - https://lnk.to/UTSOFF01
uts12 - Malin Genie - https://lnk.to/UTS12
uts11 - Paolo Rocco - https://lnk.to/UTS11
uts10 - Litmus - https://lnk.to/UTS10
uts09 - Chris Stussy - https://lnk.to/UTS09
uts08 - Vitess - https://lnk.to/UTS08
uts07 - Locklead - https://lnk.to/UTS07
uts06 - Sota - https://lnk.to/UTS06
uts05 - KOLTER - https://lnk.to/UTS05
uts04 - Chris Stussy & S.A.M. - https://lnk.to/UTS04
uts03 - Janeret - https://lnk.to/UTS03
uts02 - East End Dubs - https://lnk.to/UTS02
uts01 - Fabe - https://lnk.to/UTS01

Anne Dunlea is following