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Tropical, Melodic & Deep House Label.
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At Nômade, music is a gift we use to connect with each other, in both ceremony and celebration. Our unique music selection is a mix of local and global influences, inspired by the beauty of our environment and by the sonic traditions of cultures around the world. The Nômade Studio hosts a residency for musicians and DJs to immerse themselves in the creative process and to summon our tribe to share unforgettable moments of celebration. 


“And those who were seen dancing were thought to be insane by those who could not hear the music.” 
― Friedrich Nietzsche

The amazing yet true history of The Beach Boys is well chronicled, and by any standard it’s one of the greatest and most musical stories ever told. From humble roots in southern California, The Beach Boys have become an enduring international sensation. Their famous harmonies and classic songs continue to travel the world bringing “Good Vibrations” everywhere.  

For more than five decades, The Beach Boys -- America’s first pop band to reach the 50-year milestone -- has recorded and performed the music that has become the world’s favorite soundtrack to summer. Founded in Hawthorne, California in 1961, The Beach Boys were originally comprised of the three teenaged Wilson brothers: Brian, Carl and Dennis, their cousin Mike Love, and school friend Al Jardine. In 1962, neighbor David Marks joined the group for their first wave of hits with Capitol Records, leaving in late 1963, and in 1965, Bruce Johnston joined the band when Brian Wilson retired from touring to focus on writing and producing for the group.  

The Beach Boys signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The album spent 37 weeks on the Billboard chart, launching the young group known for its shimmering vocal harmonies and relaxed California style into international stardom. The Wilson/Love collaboration resulted in many huge international chart hits, and the band’s initial surf-rock focus was soon broadened to include many other themes, helping to make The Beach Boys America’s preeminent band of the 1960s. 

1966’s Pet Sounds, celebrating its 50th anniversary in 2016, is universally hailed as one of popular music’s most important recordings of all time. More than 100 domestic and international publications and journalists have lauded Pet Sounds as one of the greatest albums ever recorded, and it entered the GRAMMY® Hall of Fame in 1998. Pet Sounds tops MOJO magazine’s “Greatest Albums of All Time” at No. 1, while Rolling Stone ranked Pet Sounds at No. 2 in the magazine’s list of the “500 Greatest Albums of All Time.”

Impressively, The Beach Boys continue to hold Billboard / Nielsen SoundScan’s record as the top-selling American band for albums and singles, and they are also the American group with the most Billboard Top 40 chart hits (36). ‘Sounds Of Summer: The Very Best Of The Beach Boys’ has achieved triple-Platinum sales status and ‘The SMiLE Sessions,’ released to worldwide critical acclaim in 2011, won the year’s GRAMMY® Award for Best Historical Album and was heralded as the No. 1 Reissue of the Year by Rolling Stone.

In 2012, The Beach Boys celebrated their 50th Anniversary.  Brian Wilson, Mike Love, Al Jardine, and David Marks reunited for The Beach Boys’ 29th studio album, That’s Why God Made The Radio, and an international 50th Anniversary Tour, continuing one of music’s greatest stories.

Inducted into the Rock and Roll Hall of Fame in 1988 and recipients of The Recording Academy’s Lifetime Achievement Award, The Beach Boys are a beloved American institution that remains iconic around the world.


Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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