enjoy it while you can
 
music is the ultimate form of escapism" 

keno flanagan .Resides From Ireland and Has been a Dj the last 16 years on the Dublin dance scene , He has played various Venues Nationwide aswell as the United Kingdom .His main love is house music from funky to banging .Keno classes his main inspirations as Tony de Vit, tall paul ,carl Cox and Steve Thomas with whom he has played along side . .He has been one of the main stays in the Dublin Underground pirate radio Scene for the last ten years He has had regular shows on club fm , kiss fm ,vibe fm and Crystal fm to name but a few . click on this link
 
http://www.jdxtra.com/audio/Club_FM_... hear Andy jackson interview carl cox on his show on club fm in June 1997 before they played the Ormond multi-media centre together ,
 
One of his most memorable gigs was playing @ the last night of the Ormond multimedia center on Ormond quay in Dublin to 2,500 people . Other Venues he has played in are the waterfront, temple of sound, subterranea on Parnell
 Street, the harp,the redbox,the system,Temple theatre,sfx,popcorn,wise guys tullamore,hotel killkenny,spank warrenpoint,passion ,boyne valley, trade @ the music factory carlow,subway city birmingham, planet love 07,08,09,ambassodor theatre,castlebellingham castle,the vaults,the belvedere, camolin wexford,devotion bray,the mansion night club,bluebanana,blue bar,the garden of eden,ripe@the bleu note,basebar,the good bits(radio city).sligo ,edenderry,enfield,dundalk,(pas night club),tinpan alley,crypt(temple).horans tralee,
 love anything banging that makes your head knodd or your feet stomp, house , techno electro and tech house does it for me now the odd bit of quality trance for good measure, ive always liked it hard and rocking, ive always played nice funky vocal tunes too anything that sounds good and makes you dance basically, many people think we just play hard house but that was 1996 -1999 get with the times, ive always prided my self with playing the newest most danciest most banging tunes around and thats what i still endevour to do , i just love the music and love sharing it with friends 

DJ Hire Dublin Email-mark.tynanbyp@gmail.com
https://www.instagram.com/djmarkt/

Instagram: https://www.instagram.com/leoncarter7/?hl=en
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Sean Beresford is a Dublin based Trance DJ/Producer, he got his first set of decks when his love for trance began at the age of 16 after a family holiday to Ibiza when he went to Amnesia to see Tiesto and Paul Van Dyk play. His passion for trance is still as strong today as it was back then and with a profound knowledge and understanding of trance through almost 2 decades of listening to other Dj's at gigs, through compilations and radio shows, his ability to take these experiences into his own live sets has seen him play for brands such as Filth, Wax Format, Transcend and Opus. Releasing music on labels such As Always Alive, Kinected Recordings & Infrasonic Recordings. He is one half of duo Aeon Shift with fellow Irish Producer Adrian Boland. 

Creating the moments you live for.

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 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

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