Bookings: info@audiorehab.co.uk

Born in the sleepy market town of Bishops Stortford and growing up in Harlow, Mark Radford’s story will speak to many aspiring producers and DJs whose interest is piqued by a scene far-flung from their immediate surroundings. The pull of dark and sweaty rooms drawing them closer and closer to the nearest city where stacks of speakers and the siren’s call of undulating basslines seem almost irresistible. It’s in those rooms that Mark Radford found his path in life, enveloping himself in the music and culture at the beating heart of London’s electronic music scene.

Mark’s history stretches back to the early days of acid house, rave and jungle and he counts DJs like Randall, Grooverider and Jumping Jack Frost at the forefront of his musical stimuli. “Watching these guys create a new genre of music was amazing,” he explains, alluding to their experiments in music and willingness to push new boundaries, exposing the public to a dearth of home-grown talent as a great inspiration to him. A testament to that outlook is Mark’s record label, AudioRehab. Widely recognised as one of the capital’s most influential underground labels with its own residency at the legendary Ministry of Sound, and a burgeoning roster of artists AudioRehab was born from Mark Radford’s desire to harness and expose fresh talent.

And that desire has undoubtedly been realised, with the labels dropping over 160 releases from some of the hottest underground talent around since 2012. 

Not only does Mark run one of the hottest labels around, he has garnered a reputation as one of London’s most cutting edge selectors and an accomplished producer in his own right. Working with vocalists and expanding his musical horizons has become a point of focus for Mark over the past few years, and listeners to his Radio shows will undoubtedly have noticed how many new and unfinished tracks and collaborations he drops; almost always with the cheeky line “It’s nowhere near finished, but I thought I’d drop it anyway.”

This is Mark Radford’s strength, his passion for sharing new music and new sounds with people. Amongst a multitude of artists who circle round and round, never daring to head in a new direction, here is a DJ, producer, promoter and label owner that stands out from the crowd. Much like the acid house and rave pioneers he references as his earliest influences, Mark Radford is focused on evolution, not revolution.

Whether you check his show on House Fm dance the night away at one of his parties or drop his records in your own set, Mark Radford’s influence on the underground music scene is keenly felt and should not be underestimated.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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