From the Kites Of San Quentin use various boxes and instruments old and new and make sounds come out of them. When the sounds turn into music we mash them together. You may call them songs if you wish....we call them experiments. Please enjoy responsibly. XX

Contact:
fukkkofff@icloud.com

Fukkk Offf. Statement, attitude, intent and goal. To hell with conventions, go with what you want, what you see as great. Insist on your own sound, show character, strength, individuality, the courage to swim against the current. And above all: go for it. Believe in yourself. Say ’Fukkk Offf’. Get it out of your system. Dance it away. Fry your synapses. Experience your own self. Fukkk Offf the lot of you. I am me. All of that lies beneath the nom de plume of a Hamburg techno producer who is all set to exert a greater influence on the genre’s future fates, even more so than now.

Awards winning musicians & developers. BEATSURFING, RANDOM, PLAYGROUND, BEATFADER...
Founded in 2003, Herrmutt Lobby have released music on various labels – DUB, Studio !K7, Vlek, Eat Concrete, Thin Consolation, Catune, Detroit Underground – and across genres.
Alongside music, they’ve also devised and built various softwares, controllers, and apps that help musicians perform live with the freedom to express at the moment’s inspiration/instinct.

https://linktr.ee/runriot
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RuN RiOT is a multi-award winning Electronic music producer and live performer from Suffolk, UK. For 10 years RuN RiOT has gained critical acclaim from the likes of Mixmag, DMC, DJ and Clash magazines, achieved widespread UK radio coverage from Radio 1 and 6 Music, and has been supported by Annie Mac, Diplo, Noisia and Doctor P. Previously signed to legendary electronic label Skint Records, RuN RiOT has multiple Beatport top 10's and has featured on major computer game franchises including Need For Speed. Known as a dynamic live performer, RuN RiOT has performed at major venues across the UK including London's O2 Arena, Bestival, Wireless and Latitude festivals.
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"Barnstorming, brave and superb" Mixmag
"Phenomenal" Your EDM
"Highly-original" iDJ
"Propulsive and explosive" Clash
"Everything the man touches is gold" Noiseporn
"Absurdly good. Transcends genres flawlessly" Run The Trap
"Astounding" EDM Boutique
"Vibrant and magnificent" POPMUZIK
"RuN RiOT is on a mission to bring back Big Beat and it rocks" Eddy Temple-Morris
"So much energy, love him!" Annie Nightingale
"Genre-smashing... a breath of fresh air" Myspace 'Artist of the Day'
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Support...
Doctor P / Crookers / Diplo / Noisia / Skream &amp; Benga / Zeds Dead / R3hab / Laurent Garnier / The Crystal Method / Groove Armada / Dirtyphonics / Filo and Peri / Matt Darey / Stanton Warriors / Jaguar Skills / Le Castle Vania / Bar 9 / Utah Saints / Blank &amp; Jones / 16bit / Danny Byrd / Krafty Kuts / Reid Speed / The Japanese Popstars / Far Too Loud

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

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