Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

Bookings: info@audiorehab.co.uk

Born in the sleepy market town of Bishops Stortford and growing up in Harlow, Mark Radford’s story will speak to many aspiring producers and DJs whose interest is piqued by a scene far-flung from their immediate surroundings. The pull of dark and sweaty rooms drawing them closer and closer to the nearest city where stacks of speakers and the siren’s call of undulating basslines seem almost irresistible. It’s in those rooms that Mark Radford found his path in life, enveloping himself in the music and culture at the beating heart of London’s electronic music scene.

Mark’s history stretches back to the early days of acid house, rave and jungle and he counts DJs like Randall, Grooverider and Jumping Jack Frost at the forefront of his musical stimuli. “Watching these guys create a new genre of music was amazing,” he explains, alluding to their experiments in music and willingness to push new boundaries, exposing the public to a dearth of home-grown talent as a great inspiration to him. A testament to that outlook is Mark’s record label, AudioRehab. Widely recognised as one of the capital’s most influential underground labels with its own residency at the legendary Ministry of Sound, and a burgeoning roster of artists AudioRehab was born from Mark Radford’s desire to harness and expose fresh talent.

And that desire has undoubtedly been realised, with the labels dropping over 160 releases from some of the hottest underground talent around since 2012. 

Not only does Mark run one of the hottest labels around, he has garnered a reputation as one of London’s most cutting edge selectors and an accomplished producer in his own right. Working with vocalists and expanding his musical horizons has become a point of focus for Mark over the past few years, and listeners to his Radio shows will undoubtedly have noticed how many new and unfinished tracks and collaborations he drops; almost always with the cheeky line “It’s nowhere near finished, but I thought I’d drop it anyway.”

This is Mark Radford’s strength, his passion for sharing new music and new sounds with people. Amongst a multitude of artists who circle round and round, never daring to head in a new direction, here is a DJ, producer, promoter and label owner that stands out from the crowd. Much like the acid house and rave pioneers he references as his earliest influences, Mark Radford is focused on evolution, not revolution.

Whether you check his show on House Fm dance the night away at one of his parties or drop his records in your own set, Mark Radford’s influence on the underground music scene is keenly felt and should not be underestimated.

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