BOOKINGS DJ & Live sets: chris@elitemm.co.uk
Slam (aka Stuart McMillan and Orde Meikle) are a tour de force on the global techno circuit. Their unique, six deck, back-to-back DJ performances have seen the duo play leading clubs and festivals across the world. They are renowned for both their experience and their powerful, contemporary sound. 

They are co-owners of Glasgow's Riverside Festival, and also host the legendary Maximum Pressure warehouse parties, which showcase the best emerging local talent alongside some of the most established names in international techno.

Their iconic Soma Records label boasts in excess of 600 releases, hosting Mcmillan and Meikle's own productions and many of today's most cutting-edge techno artists.

The last few years have seen some of the duo's most prolific studio output as they continue to innovate and keep things moving forward, most recently with the release of their experimental full length record Athenæum 101. In addition, Slam have also remixed tracks from the likes of Planetary Assault Systems, Clouds, Dax J, Damon Wild, Richie Hawtin, and Truncate, to name just a few. 

Slam also host one of Techno's most respected weekly podcasts, Slam Radio, which has now surpassed over 400 episodes. The show allows the duo to demonstrate their conviction to creating and promoting music and vibes that provide an antidote to the mainstream by inviting fellow artists from the vibrant Techno scene, from obscure names to current trailblazers.

Bookings : booking@interwave.live (DJ/Live World)
diego@analog-a.com (South America)
info@omniverse.sm (Italy)
maucleme@gmail.com (Portugal)
seiji@hitomi-pro.jp (Japan)

Satoshi Tomiie has been a pioneering and driving force within the global electronic music community since the early days of house music. Now, decades after his ‘Tears’ alongside Frankie Knuckles, the Japanese born, New York and based DJ, producer, remixer and label boss is still regular feature in the sets of many of today’s underground elite.
A student of jazz and classical piano, Satoshi is musically adept and accomplished producer who constantly evolved how he works. Experimenting with a new hybrid Modular DJ setup which sees him effortlessly fuse live analogue modular synthesis and with traditional DJ sets. Regularly playing clubs such as DC10, Rex and from South America to Tokyo while releasing music on labels such as YoY, Yoyakuza, Kaoz Theory, No19, MFR, Holic, and his own Abstract Architecture. Satoshi is as relevant as ever and continues to make waves throughout the electronic music community as only he knows how.

Bookings: booking@lilyackerman.com

Lily Ackerman is a producer and DJ based in Berlin.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

*DJ and producer from Stockholm, Sweden.
Joel Mull's career spans over three decades. With a background studying classical music, singing in choirs and playing in bands, Joel found electronic music at a young age as a source of freedom. His first experience came from DJ’ing in the chill-out areas of rave parties in his native Stockholm during the early 90’s.
With his roots from Germany, Hamburg, he moved to the city in 1994, and worked as a resident DJ for 3 years at one of the biggest techno clubs in Germany, Unit Club. This was an important period for him and as a DJ; It taught him how to control the energy of the night on the dance floor, from warm up sets to 10h marathon sets.

With releases on music labels worldwide along with Cari Lekebusch, Robert Leiner, Adam Beyer and Jesper Dahlbäck he counts to the first wave of Swedish techno producer who became known around the world as the "Swedish techno sound".
He has produced over 100 releases and under various names such as Icarus, Gotzkowsky and most recent under his alias Damm.
He often refers to himself and his craft as a sound architect, and if you’ve ever experienced his club sets, you’ll understand why.
Under his ambient and electronica alias Damm, Joel revives one of his earliest aliases and expands upon this discipline even further.

*Part of the label team of the swedish label Parabel.
*Also knows as "Damm" with his latest ambient release on A Strangely Isolated place.

/mræk/
the night will always come.
Founder @afterlifeofc | 1/2 @taleofus

INFO // MRAK@mrak.world

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