Find all my music on Spotify:
http://sptfy.com/kidnap

For all enquires: sophia@tinysaturnmusic.com

Kidnap is an artist whose music overflows with emotion - rich and powerfully evocative.

Recording in London, Kidnap (real name Matthew Relton) likens his process to that of a sculptor, starting with a block of sound and chopping away until a shape emerges. As such, each song exists ornately carved with a handcrafted subtly.

Still just 33, Relton is already something of an industry veteran. Releasing his first single in 2012 kicked off an eight-year stretch of global touring that came to a grinding halt when the pandemic put the world on pause.

2024 marks a new chapter for Kidnap, with his next body of work on the horizon. Set against the backdrop of a changing world and the arrival of a baby daughter, Relton offers a bittersweet reflection on the passing of time. ‘It’s about looking back on the last 12 years — the touring and the friends and the sleeplessness,” says Relton, “and realising that in order to embrace the life I have now, I need to let it all go.’ The music shimmers with nostalgia. Signature sad melodies dance deftly around commanding synth lines, altogether sounding like an artist with a new found sense of purpose.

Specializing in quality roots and Americana music since 1978.

Yeah, that guy. Cockney rhyming slang for the good stuff; Proof that one song is all you need.

Since first breaking onto the alt-pop scene in 2007, Owl City has built a global following on the strength of his heart-on-sleeve songwriting and endlessly inventive sound. Along with earning a monumental hit with the diamond-certified “Fireflies”—a 2009 release that reached No. 1 in 26 countries—the Minnesota-bred artist otherwise known as Adam Young has made waves with smash singles like the double-platinum “Good Time” feat. Carly Rae Jepsen and brought his exuberant live set to sold-out shows around the world. With total album sales of over three million and single sales surpassing 20 million globally, Owl City has now delivered the highly anticipated new album Coco Moon: a wildly imaginative body of work revealing his deepened devotion to the strange magic of creativity.

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:: MANAGEMENT ::
luke.allen@redlightmanagement.com

:: BOOKINGS ::
N./S. America: 
Nate Sokolski, nsokolski@teamwass.com
Lee Anderson, landerson@teamwass.com
UK/Europe: 
Simon Halliwell, simon@activetalentagency.com
Aaron Cook, aaron@activetalentagency.com

This is Dada Land. Get ready to arrive beautiful and leave ugly. There are no rules, but the rules of Dada. Don't look back in the past. Always go forward. And whatever you do: don't trust us.

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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