New Weird America
Discography: https://heidiharris.bandcamp.com/music
Booking & info: sukisound@yahoo.com 

Heidi's creative practice is based on an exploration and intermingling of traditional and non-traditional sound sources. Repertoire of instruments include: piano, clarinet, harmonica, guitar, melodica, synthesizer, theremin, and various sound makers. 

Heidi contributed many of these sounds including songwriting as a former member of the chamber folk trio http://soundcloud.com/cutleri, later in http://soundcloud.com/knife-throwers-assistance,  an eclectic musical collective based in NYC and continues to collaborate in her band: https://soundcloud.com/heidiandthe9feathers But Heidi's first “instrument” was her own voice. From a young age she performed lead roles in operettas and musicals, and although stylistically she has moved on to more avant-garde territories, the quality and range of her voice still hinges on her theatrical roots.

Heidi attended the Institute of Audio Research in New York City, focusing on the process of recording and producing, and went on to record several self-released albums in her home studio, Suki Sound. Her work has been reviewed by labels and blogs all over the globe, applauding her as a unique and exceptionally prolific songwriter and recording artist.


contact email: sukisound@yahoo.com

Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

BackStory with the American History Guys is a nationally syndicated, hour-long, weekly public radio show. We're based in Charlottesville, Virginia at the Virginia Foundation for the Humanities.

Each week we take a topic that people are talking about and explore its roots in American history. Through stories, interviews, and conversation with our listeners, we turn the things Americans take for granted inside out. And while we're at it, we have a lot of fun. Join us.

✧·ﾟ* S un G l ! tt ers ✧·ﾟ*
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No th! ng !s co her ent ...

https://sunglitters.com
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Management: 
www.parasolartists.com
mirza@parasolartists.com

Keadz is a duo who like contrast. They would have almost made their watchword. The two young artists take pleasure in mixing dark and light environments, clear and grainy. And to do that, in terms of textures, nothing is left to chance. Essentially based on using filed recording, their productions intertwine different genres, codes and style. The result is clear: the habits are shaken up and transformed. And this is obviously what Keadz research, an atmosphere all its own. With organic, tribal and aquatic influences, their music is wet and sensual, almost sexual. And if everything works, it may be because the duo likes imperfection and all those little details that create this fragile and sensitive atmosphere. A unique atmosphere that has evolved since their inception, and their strong point seems to be this desire not to be locked in a unique style.

All inquiries at contact.lapetitecompagnie@gmail.com

Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. We support a range of activities across the arts, museums and libraries – from theatre to digital art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. Between 2015 and 2018, we plan to invest £1.1 billion of public money from government and an estimated £700 million from the National Lottery to help create these experiences for as many people as possible across the country. 

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

We're not the best, but we're pretty good.

Blackberry Wednesday is following