Hi, my name is Mandragora, I am a time traveller from 1354, while I was looking for weeds in the forest I fell into a wormhole, I traveled through infinite alternate realities for like a year, after I got bored of all that cosmic stuff I decided to camp on year 2012, then I found this weird music making box and I knew something big was coming.


Bookings:
ianoche@usn-agency.com

Mandragora prefers to keep his name out of the light and go by the name of
“Neto”, hence the username @holasoyneto on most of his social networks.
Apparently born in the desert city of Chihuahua, located in the north of
Mexico, it was in this place where he decided to fully go into music,
enrolling at the local Conservatory but quickly dropped out to pursue a career
in music production.
While still studying in the Conservatory of Chihuahua he had access to a
computer lab which had GarageBand installed, he rapidly realised the
possibilities of digital versus paper. One day one of his classmates listened
to one of his compositions and said, “Hey, Neto, that sounds like Goa music,
you should play it at the local raves.”
Not long after being introduced to the local rave scene, he started promoting
different kinds of events for different kinds of audience, this served to
create a local community to introduce the “Mandragora” project to the world,
inspired by the local rave scene and the hip-hop ethos.
Having this school of thought led him to create “#futureprog” a sub-genre of
Goa trance based on the idea of ever evolving music, of trying to predict the
future, right now #futureprog is produced and played by many artists big and
small throughout the entire world.
This creation led him to move to Brazil for 6 years to join forces with Alien
Records, releasing several albums and successful singles, performing at
legendary festivals, inspiring a whole new scene of producers and partygoers
worldwide.
At the moment Neto is based in the south of France locked in the studio
creating hundreds of tracks, just released a new mini album and is back on the
road, always on tour, always getting those new tracks mastered and ready to be introduced to the world.

STARTED AS A DJ, RECORD PRODUCER AND REMIXER IN MY HOMETOWN, BREDA. ULTIMATELY VOTED THE WORLD'S NUMBER ONE DJ ON DJ MAG IN 2013 AND AGAIN IN 2014. NOW A MUSICAL CREATIVE FOLLOWING MY OWN PATH, BACK FOR MORE.

#REBELSNEVERDIE

www.djhardwell.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

We are Yellow Claw and we are awesome.

United Talent Agency (USA & Canada)
wilcox.weaver@unitedtalent.com

Barong Bookings (Asia & Europe)
harley@barongfamily.com

Bud-€ is following