XOXO <3

NA booking - michelle@thebunkerny.com
World booking - ilyas@minor-am.com
Eris Drew b2b Octo Octa - alex@biota.agency
Press - chanel@dawncreative.agency

Berlin|Tbilisi
Resident:  @Herrensauna
Bookings: EU/World eva@reprisetalentagency.com
pierre@reprisetalentagency.com
US: joe@surfireagency.com
Management: agnese@modernmatters.net

Bookings : marcus@lb-agency.net
Managment: mt@tailored-communication.com
Checking Promos here Monthly ;) 

• Berghain • MUTE • Leisure System • 
https://linktr.ee/JakoJako

PLS use this messenger ONLY for Promos and Music you'd like to share with me ;) THX

Underworld are Rick Smith and Karl Hyde. Their peerless first album - dubnobasswithmyheadman - was released to universal acclaim in 1994. In the thirty years since that mould breaking debut, the band have established their reputation as one of the most groundbreaking and important electronic acts of all time, one that constantly pushes creative boundaries, twists genres and refuses to stay still. In those thirty years, their music has soundtracked approximately 100,000,000 nights out, and the mornings after. In the past year alone, Underworld have played live in front of over half a million people all across the globe.

TSUBAKI fm is a brand new platform for independent music, straight from the heart of Tokyo. We aim to bring new life to the underground music scene in Japan while also helping better connect artists and listeners worldwide. Get fresh tracks from diverse genres, music culture information, live broadcasts, and more.

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Japanese clothing label
https://endsandmeans.jp

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